by Hilma Wolitzer ‧ RELEASE DATE: May 2, 1994
Fourteen years and three novels after Hearts, Wolitzer picks up precisely where she left off: widowed Linda Reismann, 27, is pulling into Los Angeles in her Mustang; Robin, her bratty adolescent stepdaughter, is asleep on the back seat. Skillfully interweaving a plot recap for those who missed the earlier volume, the author hurtles her characters through time into 1992. Rodney King and Reginald Denny are beaten, stores are destroyed by the riots, Clinton hits the campaign trail. The fact that Linda remains 27 and Robin 13 may startle some readers of the 1980 novel, but both characters are so genuine here that it scarcely matters. Wolitzer (who has also written several YA novels) captures the teenager brilliantly. Walking into a gourmet take-out shop for a snack, Robin finds only vegetable chips: ``They tasted a lot like regular potato chips, and the seltzer wasn't bad either. But what a rip-off.'' Passages such as this also indicate the major conflict that fuels the novel: the discrepancies between wealth and poverty, enchantment and delusion, for which LA's tinsel-town atmosphere provides the perfect setting. Deftly, quietly, characters milk each other emotionally and physically, yet amid it all some desperately and at times foolishly cling to love. Despite an onslaught of difficulties—everything from a car crash and a robbery/murder to a carefully engineered custody threat—Wolitzer guides readers at a slow, even pace, always allowing time for poetic description. Little asides that in some novels interfere with the pace here blend in seamlessly, for example, Linda's memory of a high school friend. Actions and reactions get sentimental at times, and a major plot development is tied up too easily, but the majority of readers will be too caught up in the characters' day-to-day frustrations and accomplishments for such nit-picking. (Literary Guild alternate selection; $50,000 ad/promo; author tour)
Pub Date: May 2, 1994
ISBN: 0-06-118007-6
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1994
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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