A sometimes pleasurably over-the-top, sometimes simplistic proof that physical and mental health aren’t always intertwined.
A rage-fueled gym rat enters into an abusive, symbiotic relationship with an overweight artist in a brash, decidedly Welsh-ian study of body image and media.
Scottish cult legend Welsh (Skagboys, 2012, etc.) takes a detour to Miami Beach for this novel, in which lead narrator Lucy puts her well-machined physique to good use early, stopping a gunman taking aim at two guys on a highway. A witness, Lena, records the incident, making Lucy into a momentary celebrity. But Lucy’s dreams of parlaying her semifame into a Biggest Loser–style reality show die quickly: The gunman turns out to have been aiming at alleged pedophiles, complicating the media narrative, and Lucy’s adrenalized demeanor alienates her would-be TV partners. Lucy does everything in a fury, from emails to back-alley sex with men and women she picks up in clubs, suggesting that the friendship she starts with Lena won’t go well. Indeed, it goes badly in a humanity-at-its-worst kind of way. What begins as Lucy’s boot-camp–style fitness plan for Lena, a brilliant artist unlucky in love, turns into a captivity tale that explores the body and our obsession with others to a disarming, at times grotesque degree. (The title refers to a subplot involving a media circus about conjoined twins.) Welsh writes intelligently in two registers—blown-gasket Lucy and subdued, self-pitying Lena—and he uses those differing tones to ingeniously explore how self-image influences our perceptions of others. The flaw is that the novel’s opening sense of emotional subtlety with both characters degrades into something more farcical, as the women become more blunt representations of fat vs. thin, punctuated with Grand Guignol splashes. Welsh isn’t given to hollow provocation, but the depth of his social critique is undermined by his more absurd plot turns.
A sometimes pleasurably over-the-top, sometimes simplistic proof that physical and mental health aren’t always intertwined.Pub Date: Feb. 3, 2015
ISBN: 978-0-385-53938-8
Page Count: 336
Publisher: Doubleday
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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