A jubilant story about two star-crossed lovers, one of them dead and hungry for more than love.
Debut novelist Marion hits the pulse of the Twilight crowd with this morbidly romantic look at how affection really feels when your heart beats no more. “I am dead, but it’s not so bad,” says our zombie narrator, by way of introduction. “I’ve learned to live with it. This is “R,” so named because it’s all he can remember. But this is no Team Edward sob story. R really is a zombie, carrying the pink brains of his victims back to his communal lair for a snack. But one day, R chomps down on Perry Kelvin, a teenager whose sole affection is for his girlfriend, Julie. R begins absorbing Perry’s memories, which in turn inspire him not to treat Julie like a bucket of KFC. And so the weirdest courting in the history of literature begins, as R and Julie spend time together prowling food courts and half-destroyed 747s. Julie, who could have been a simplistic mechanism to drive the book’s plot, turns out to be its most inspired character, inhabiting that odd space between fear and curiosity. “Maybe you’re not such a monster, Mr. Zombie,” she admits at one point. “I mean, anyone who appreciates a good beer is halfway okay in my book.” R begins to change, redeveloping his ability to communicate, and noticing a physical transformation to accompany his emotional awakening. But the path of true love never runs smooth, and the unlikely duo soon find themselves caught between R’s ravenous companions and Julie’s soldier father.
Originally self-published, this DIY success story is already slated for a film adaptation, making these quixotic lovers the grateful dead indeed.Pub Date: May 17, 2011
ISBN: 978-1-4391-9231-3
Page Count: 256
Publisher: Atria
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
Categories: GENERAL FICTION
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BOOK REVIEW
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Categories: GENERAL FICTION
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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1995
Categories: GENERAL FICTION
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