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AMERICAN AMNESIA

HOW THE WAR ON GOVERNMENT LED US TO FORGET WHAT MADE AMERICA PROSPER

Provocative, especially in this election year, though unlikely to sway doctrinaire members of the reigning party.

A free market, purely capitalist in nature? It doesn’t exist—not in this country, anyway, despite right-wing claims to the contrary.

So argue Hacker and Pierson (co-authors: Winner-Take-All Politics: How Washington Made the Rich Richer—and Turned Its Back on the Middle Class, 2010, etc.), political scientists at Yale and Berkeley, respectively. Elaborated at length, their thesis is simple: America’s economy and its economic success owes to its mixed nature, blending private enterprise “in producing and allocating goods and innovating to meet consumer demand” with government investment in infrastructure, education, and other areas. Most advanced economies show a similar mix, with the state ideally ensuring that the “invisible hand” winds up on the right lever. Even Adam Smith, write the authors, recognized that so-called rational actors can act to the detriment of the whole when they pursue their self-interests. Yet the current and dominant political mode, courtesy of such agents as the U.S. Chamber of Commerce and the brothers Koch, is the demand to remove the government from the mix or, better, to use government as a piggy bank to loot without government being able to influence the direction of the market or curb the self-interests of those rational actors. Hacker and Pierson offer a depressing series of case studies to that end—for instance, food industry efforts to fight the Obama administration’s anti-obesity campaign and the rise of private schools, little better than diploma mills, whose outcomes are worse than those of public counterparts but whose owners still manage to receive ample federal funds. The costs of this private looting to the public are not merely economic; write the authors, “in undermining essential public authority, they threaten effective democratic governance itself.” They suggest reforms to curb the worst effects of the libertarian grab, including “rebuilding government capacity” and remaking Senate filibuster requirements so that the system is more “majoritarian.”

Provocative, especially in this election year, though unlikely to sway doctrinaire members of the reigning party.

Pub Date: March 29, 2016

ISBN: 978-1-4516-6782-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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WE SHOULD ALL BE FEMINISTS

A moving essay that should find its way into the hands of all students and teachers to provoke new conversation and...

An enchanting plea by the award-winning Nigerian novelist to channel anger about gender inequality into positive change.

Employing personal experience in her examination of “the specific and particular problem of gender,” National Book Critics Circle winner Adichie (Americanah, 2013, etc.) gently and effectively brings the argument about whether feminism is still relevant to an accessible level for all readers. An edited version of a 2012 TEDxEuston talk she delivered, this brief essay moves from the personal to the general. The author discusses how she was treated as a second-class citizen back home in Nigeria (walking into a hotel and being taken for a sex worker; shut out of even family meetings, in which only the male members participate) and suggests new ways of socialization for both girls and boys (e.g., teaching both to cook). Adichie assumes most of her readers are like her “brilliant, progressive” friend Louis, who insists that women were discriminated against in the past but that “[e]verything is fine now for women.” Yet when actively confronted by an instance of gender bias—the parking attendant thanked Louis for the tip, although Adichie had been the one to give it—Louis had to recognize that men still don’t recognize a woman’s full equality in society. The example from her childhood at school in Nigeria is perhaps the most poignant, demonstrating how insidious and entrenched gender bias is and how damaging it is to the tender psyches of young people: The primary teacher enforced an arbitrary rule (“she assumed it was obvious”) that the class monitor had to be a boy, even though the then-9-year-old author had earned the privilege by winning the highest grade in the class. Adichie makes her arguments quietly but skillfully.

A moving essay that should find its way into the hands of all students and teachers to provoke new conversation and awareness.

Pub Date: Feb. 3, 2015

ISBN: 978-1-101-91176-1

Page Count: 64

Publisher: Anchor

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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UNFINISHED BUSINESS

NOTES OF A CHRONIC RE-READER

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.

Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Pub Date: Feb. 4, 2020

ISBN: 978-0-374-28215-8

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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