Routine monsters, but the story’s no less invigorating and the hero’s always entertaining.
Drummond’s (Something Wiccan, 2015, etc.) latest supernatural thriller finds its recurring teen hunter and his pals confronting vampires who’ve taken control of a Scottish town and its residents.
Now that his son Toby’s back in Silver Falls, Oregon, Sheriff Walter Hoffman’s reluctant to let the teenager return to Germany to train with the European Huntsman’s Network. But when baddies show up to retrieve powers Toby’s “inherited” from a dead warlock, Walter agrees that his son may be safer overseas. Toby’s girlfriend, Rachel, tags along, wanting to know how his decision on whether or not to be a hunter will affect their future together. Already in Germany is friend Natalie, a witch with newfound and inexplicably potent abilities who’s spent the last couple of months training. Hunter Jack Steele, meanwhile, has lost contact with colleague Angelina, in an area where other hunters have disappeared. She’d been tracking Gavin, a bloodsucking crony to vampire Alister McKean, who killed Jack’s parents years ago. Jack and Toby follow Angelina’s trail to Loubcroy, where vampires have made an agreement with humans: if vampires can be fellow citizens, they won’t harm humans. Rachel and Natalie join the two hunters later, and soon they’re facing off against a batch of sinister fanged foes. The hunters can only hope the frightened townsfolk will stand their ground to take back Loubcroy. Despite head trainer Henry Graves recommending that the girls “forget everything” they’ve read or seen about vampires, the author’s third series entry relies primarily on genre conventions. Readers know that sunlight hurts, wooden stakes kill, and vampirism equals virus. Drummond, however, fills his narrative with scorching, relentless action, the bulk of it set in vampire-infested Loubcroy. There’s a plethora of undead villains, and Toby’s increasingly chic capabilities allow him, among other things, to stake vampires telekinetically. The girls unfortunately stand on the sidelines for most of the story: Rachel does little as a mystic, while Natalie can barely control her powers. But everyone’s engaged in battle by the final act, with a gripping dilemma to close the book: Toby does something drastic that makes him not much better than the fiends he’s been staking.
Routine monsters, but the story’s no less invigorating and the hero’s always entertaining.Pub Date: Jan. 30, 2016
ISBN: 978-1-5176-2992-2
Page Count: 422
Publisher: CreateSpace
Review Posted Online: Aug. 8, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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