Routine monsters, but the story’s no less invigorating and the hero’s always entertaining.
Drummond’s (Something Wiccan, 2015, etc.) latest supernatural thriller finds its recurring teen hunter and his pals confronting vampires who’ve taken control of a Scottish town and its residents.
Now that his son Toby’s back in Silver Falls, Oregon, Sheriff Walter Hoffman’s reluctant to let the teenager return to Germany to train with the European Huntsman’s Network. But when baddies show up to retrieve powers Toby’s “inherited” from a dead warlock, Walter agrees that his son may be safer overseas. Toby’s girlfriend, Rachel, tags along, wanting to know how his decision on whether or not to be a hunter will affect their future together. Already in Germany is friend Natalie, a witch with newfound and inexplicably potent abilities who’s spent the last couple of months training. Hunter Jack Steele, meanwhile, has lost contact with colleague Angelina, in an area where other hunters have disappeared. She’d been tracking Gavin, a bloodsucking crony to vampire Alister McKean, who killed Jack’s parents years ago. Jack and Toby follow Angelina’s trail to Loubcroy, where vampires have made an agreement with humans: if vampires can be fellow citizens, they won’t harm humans. Rachel and Natalie join the two hunters later, and soon they’re facing off against a batch of sinister fanged foes. The hunters can only hope the frightened townsfolk will stand their ground to take back Loubcroy. Despite head trainer Henry Graves recommending that the girls “forget everything” they’ve read or seen about vampires, the author’s third series entry relies primarily on genre conventions. Readers know that sunlight hurts, wooden stakes kill, and vampirism equals virus. Drummond, however, fills his narrative with scorching, relentless action, the bulk of it set in vampire-infested Loubcroy. There’s a plethora of undead villains, and Toby’s increasingly chic capabilities allow him, among other things, to stake vampires telekinetically. The girls unfortunately stand on the sidelines for most of the story: Rachel does little as a mystic, while Natalie can barely control her powers. But everyone’s engaged in battle by the final act, with a gripping dilemma to close the book: Toby does something drastic that makes him not much better than the fiends he’s been staking.
Routine monsters, but the story’s no less invigorating and the hero’s always entertaining.Pub Date: Jan. 30, 2016
ISBN: 978-1-5176-2992-2
Page Count: 422
Publisher: CreateSpace
Review Posted Online: Aug. 8, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
