A masterful historical fantasy that informs as well as enthralls.
This thriller sees a businessman with a dark past battle a magician determined to topple Haiti’s spiritual legacy.
Charles Redmond manages an import/export business in Washington, D.C. Joseph de Alverado, one of his clients, is an unsettling eccentric. He orders what seem like “religious temple furnishings” and can open a sealed shipping crate barehanded. When Charles dreams of Joseph as a demon, he visits his psychiatrist. Dr. Sanantha Mauwad, who lived in Haiti as a child, recognizes on Charles’ leather wallet the symbol for Papa Legba, the Voodou Jesus figure. She writes an antidepressant prescription and asks if Charles has been to the Caribbean. He says no. Meanwhile, in a Haitian temple, Joseph reports to Silas Alverado, his “master.” Silas may look like a mere elderly man, but he’s Chosen—he “died one hundred generations ago” as Royarna, the High Priest of Amun. The magician plans to “re-enshrine His Dark Majesty” Osiris and convert Haitian Voodou followers into worshippers of the faded Egyptian deity. Silas’ demonic work takes him to the British Museum in London and a tomb near the site of ancient Thebes, among other locations, where corpses pile up in his wake. Charles, who lied about having been to the Caribbean, implores the Voodou love goddess Erzulie to protect him from Joseph. Hartlove (Daughter Cell, 2013, etc.) fashions a riveting blend of history, religion, and horror in this briskly paced series opener. He carries readers from grounded moments to dreamlike fantasy with steely ease, as in the line “A thousand birds and insects all noisily took flight as the ground buckled, the trees swayed, and the terrain undulated as the Serpent of Creation slid through the jungle floor.” The magical Silas performs some truly grisly acts, including possessing a teenage girl and using her to seduce and then murder an Egyptian guard. The author balances his ferocious imagination with historical passion, giving Charles a tragic, though captivating, backstory as a Haitian death squad member. Sanantha remains the heart of the tale, offering Charles human support as Silas challenges the devil in a potentially world-rending finale.
A masterful historical fantasy that informs as well as enthralls.Pub Date: July 31, 2019
ISBN: 978-1-949139-58-7
Page Count: 269
Publisher: Paper Angel Press
Review Posted Online: Oct. 31, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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