A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness.
Once upon a time, there was a prince who felt fabulous only in exquisite gowns.
Prince Sebastian’s parents, like fleets of fairy-tale progenitors before, are myopically focused on getting their kid hitched. Rendezvous with potential brides rattle Sebastian, and not just because he’s only 16 and averse to icky matrimony. It’s because he dresses in couture gowns and is petrified of facing what a reveal would mean to his parents and potential wife. Weary of donning his mother’s duds, he hires Frances, a seamstress with an avant-garde flair. Their friendship quickly evolves as she harnesses her talent and he becomes empowered to make public appearances as his alter ego, Lady Crystallia. When Lady Crystallia becomes a fashion plate du jour—and secrecy verges on revelation—Sebastian and Frances are at a crossroads: can they remain true to themselves, each other, and the world? Wang’s linework has as much movement and play as Crystallia’s frocks, and her palette seamlessly wanders from petit-four brights to the moody darks of an ombre swatch. This is preindustrial Paris, so the cast is white, with the only otherness being class differentiation. Sebastian’s story shouldn’t be taken as a testament to how easy it is for one to reveal one’s true self to one’s parents, particularly if one is LGBTQIAP: Sebastian meets acceptance far too easily, particularly for such a public figure in such a conservative age. Sebastian’s summation of Frances’ aesthetic underscores the ultimate blueprint: fantasy and drama.
A biblio bias-cut whose shimmer is welcome despite its optimistic shortsightedness. (Historical graphic fiction. 12-18)Pub Date: Feb. 13, 2018
ISBN: 978-1-62672-363-4
Page Count: 290
Publisher: First Second
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Without a shadow of a doubt, readers will enjoy this hero’s backstory.
The story behind Batgirl.
Cassandra Cain is trained to kill. Raised by a criminal mastermind, she knows only how to fight and execute. One day she freezes in the face of one victim’s desperation for her to pass on a message to his daughter. Not wanting to return home, she is found on the streets by noodle shop owner Jackie Fujikawa Yoneyama, who gives her a free meal. Cassandra also finds solace in the Gotham Public Library, where, having been raised with little conversation, she learns to comprehend language by listening to librarian Barbara’s storytimes about Batgirl. Fascinated, Cassandra begins to understand her life before, with her villain of a father, and to envision the life she wants to lead in the future, as a hero. This is an excellent introduction to Cassandra’s backstory and her journey to becoming Batgirl. The detailed illustrations and meticulous coloring add emotion and effectively convey movement. Dark memories and moments are shrouded in blue and purple while Cassandra’s safe, comforting spells are brightened by shades of yellow and orange. Cassandra’s sweet, touching story includes themes of self-discovery, relationships, family, and personal choices, and there’s enough action to keep readers interested. The cast of characters is diverse in race and ability; Cassandra has mutism, she and Jackie are Asian, and red-haired Barbara uses a wheelchair.
Without a shadow of a doubt, readers will enjoy this hero’s backstory. (Graphic novel. 12-17)Pub Date: Feb. 4, 2020
ISBN: 978-1-4012-8978-2
Page Count: 208
Publisher: DC
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Buy it. Read it. Share it.
The last week at Scouting camp highlights accomplishments and humiliations that last a lifetime.
Aiden, a fat, biracial (Filipino and White), soon-to-be high schooler, is in his last week of Boy Scout camp in 1995. Each day documents events, from bonding over fireside songs and learning important skills to the micro- and macroaggressions that follow an adolescent boy of color who presents as effeminate and is queer. As the week moves on, readers learn more about Aiden and his life, from his stressful home with an emotionally abusive father to his love of Catholicism and being an altar server. The stress of a new school, bullies who are ever present, and struggles with identity drive Aiden to a breaking point, one that’s familiar to many young people. The monochromatic illustrations, sometimes highlighted with red, orange, and yellow, are timeless moments of a remembered childhood. The use of red to highlight the tangible (firelight, a Swiss Army knife) and represent the intangible (passion, sorrow, and hope) is a master class in simplicity. But the true star of this book is the writing, which describes a boy who could live in any decade on his journey of self-discovery. This is a story that will be read and reread, and for some, it will be the defining book of their adolescence.
Buy it. Read it. Share it. (afterword, resources) (Graphic fiction. 12-18)Pub Date: Sept. 1, 2020
ISBN: 978-1-62779-641-5
Page Count: 368
Publisher: Henry Holt
Review Posted Online: June 14, 2020
Kirkus Reviews Issue: July 1, 2020
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