This sensitive debut novel puts theme before function in portraying the post-Boomer generation's nostalgia for the '60s they just missed out on. In 1978, 18-year-old Phoebe O'Connor is still haunted by the mysterious death, termed a suicide in 1970, of her hippie teenage sister Faith in Italy. Newly graduated Phoebe is feeling restless at home in San Francisco after discovering that her widowed mother is romantically involved with her boss. Phoebe's further horrified when her mother insists that her father, a would-be painter whose day job was being an IBM executive, had no talent. She spontaneously takes off for Europe to retrace Faith's steps in the days leading up to her death. Egan (whose stories have appeared in major magazines) takes a long time setting all this up, and in order to get the background in place, she often makes matters too convenient. It seems unlikely that an old friend of Faith's would run into Phoebe, recognize her (because of her resemblance to her sister), invite her to his apartment, talk about her sister, and then hand her a joint to deliver to his cousin in Munich. Later, when Phoebe arrives in Munich, there is a coincidence so huge and unbelievable that it almost destroys the earnest heart of this book. On the other hand, Egan does some fine writing. Descriptions of Amsterdam and London are so accurate they are almost tactile, and Phoebe's disappointment in finding that things are no longer quite so groovy as they used to be anywhere in the world is convincing. Eventually, she gets to the locus of Faith's despair and learns how the ideals of the '60s disintegrated. All of this is logical, but Egan has clearly set out to depict an entire generation rather than to tell a story. For example, Phoebe's brother is a 23-year-old millionaire with his own software company who exists only to show the alternative to the counterculture. Covers a lot of ground but sometimes stumbles. (Author tour)
Pub Date: Jan. 9, 1995
ISBN: 0-385-47379-6
Page Count: 352
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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