by Jessica McDiarmid ‧ RELEASE DATE: Nov. 12, 2019
A difficult but essential read.
A powerful account of an area of British Columbia in which women and girls are being murdered or disappearing without a trace.
Highway 16, which runs for 735 kilometers west from Prince Rupert in the northwest corner of B.C., is called the Highway of Tears because more than 30 girls and women, by far most of them members of Indigenous families, have been murdered or disappeared along that route. Canadian journalist and first-time author McDiarmid, who grew up near the highway, traces in agonizing detail the lives and fates of several of those women, but the narrative is much more than just a list of tragedies. The author, whose writing has appeared in the Associated Press and the Toronto Star, among other publications, uses the highway as a microcosm to shine a light on the racism against Indigenous people that stretches across Canada. The numbers are startling: murders or disappearances of between 1,000 and 4,000 (depending on who’s counting) women and girls, most of them Indigenous, over the past few decades. McDiarmid delves into the history of how racism has forced many Indigenous people into poverty, which in turn has led to drug addiction, crime, violence, and broken families. She also exposes the uncaring attitudes of many law enforcement agencies when the victims are Indigenous; and of the press, which devotes noticeably less space—if any at all—to murders and disappearances of Indigenous people compared with whites. The author, writing with deeply felt emotion, makes it abundantly clear that this racism persists today. If there is a weakness in her book, it is the sometimes-rough transitions among the several narrative elements—the personal stories, the indictments of law enforcement and the press, and the tumultuous history of the Indigenous people. Nonetheless, McDiarmid brings to light a little-known story that deserves more attention.
A difficult but essential read.Pub Date: Nov. 12, 2019
ISBN: 978-1-5011-6028-8
Page Count: 320
Publisher: Atria
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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by Chimamanda Ngozi Adichie ‧ RELEASE DATE: Feb. 3, 2015
A moving essay that should find its way into the hands of all students and teachers to provoke new conversation and...
An enchanting plea by the award-winning Nigerian novelist to channel anger about gender inequality into positive change.
Employing personal experience in her examination of “the specific and particular problem of gender,” National Book Critics Circle winner Adichie (Americanah, 2013, etc.) gently and effectively brings the argument about whether feminism is still relevant to an accessible level for all readers. An edited version of a 2012 TEDxEuston talk she delivered, this brief essay moves from the personal to the general. The author discusses how she was treated as a second-class citizen back home in Nigeria (walking into a hotel and being taken for a sex worker; shut out of even family meetings, in which only the male members participate) and suggests new ways of socialization for both girls and boys (e.g., teaching both to cook). Adichie assumes most of her readers are like her “brilliant, progressive” friend Louis, who insists that women were discriminated against in the past but that “[e]verything is fine now for women.” Yet when actively confronted by an instance of gender bias—the parking attendant thanked Louis for the tip, although Adichie had been the one to give it—Louis had to recognize that men still don’t recognize a woman’s full equality in society. The example from her childhood at school in Nigeria is perhaps the most poignant, demonstrating how insidious and entrenched gender bias is and how damaging it is to the tender psyches of young people: The primary teacher enforced an arbitrary rule (“she assumed it was obvious”) that the class monitor had to be a boy, even though the then-9-year-old author had earned the privilege by winning the highest grade in the class. Adichie makes her arguments quietly but skillfully.
A moving essay that should find its way into the hands of all students and teachers to provoke new conversation and awareness.Pub Date: Feb. 3, 2015
ISBN: 978-1-101-91176-1
Page Count: 64
Publisher: Anchor
Review Posted Online: Dec. 6, 2014
Kirkus Reviews Issue: Dec. 15, 2014
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by Chimamanda Ngozi Adichie ; illustrated by Joelle Avelino
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by Vivian Gornick ‧ RELEASE DATE: Feb. 4, 2020
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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