Despite an overabundance of storylines, this engrossing tale delivers deep industry knowledge and rounded characters.
A project manager turns a surprise layoff into an opportunity for payback in this debut novel.
Adameit’s narrative centers on Dan Gamble, a project manager with Stygian, an electronics product manufacturing firm. Gamble, who has been in the industry for three decades, is respected and well liked by his peers and business partners, but isn’t thrilled with his employer’s practices and demeanor. Still, he’s been with Stygian for almost five years, at which point the employee stock ownership program fully vests, so Gamble hangs in there. Then he’s unceremoniously let go three months short of vesting. Despite the shock, Gamble agrees to help tie up some loose ends, and in the process, discovers something he shouldn’t. Angry over his treatment, he has an idea on how to extract justice from Stygian, and discovers he has more friends and allies than he thought willing to help him get it. Adameit, who also has three decades of EPM experience, writes about the ins and outs of the industry with knowledge and flair, making what might be otherwise dry information come to life. Unfortunately, this verve doesn’t always extend to the dialogue, which sometimes veers between excessively explanatory and downright florid. Despite the inconsistent dialogue, the author does fine work in sketching in the characters. Each one is distinct on the page, with consistent traits and reactions. And despite the antagonists’ almost cartoonishly callous greed, nearly all of the players evince at least one somewhat redeeming value or trait. One of the major subplots, involving Gamble and his cohorts committing an extremely shady act in order to gain leverage on the primary antagonist, demonstrates the characters also display a few negative qualities. This subplot is just one of many—so many that the number of threads and machinations bogs down the book and dilutes its impact.
Despite an overabundance of storylines, this engrossing tale delivers deep industry knowledge and rounded characters.Pub Date: Oct. 24, 2019
ISBN: 978-1-73385-032-2
Page Count: 522
Publisher: Self
Review Posted Online: Nov. 26, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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