Noogie’s shine dims pretty quickly.
This slapstick caper novel can’t sustain the energy of its zany setup.
Knipfel (The Buzzing, 2003, etc.) plainly enjoyed himself creating the character of Ned “Noogie” Krapczak, a hapless schlub who somehow amasses a small fortune by skimming from the ATM machines that he services. Reportedly inspired by an actual crime, the novel has some fun with Noogie, who hates his nickname but prefers it to the common mispronunciation of his last name (“Crap Sack”), who lives with his bellowing mother and his Siamese cat, Dillinger, and who has no life beyond the movies that obsess him. One day on his New York rounds, he accidentally misplaces a $20 bill. When it isn’t discovered, he starts to take more and more, until he has stolen almost $5 million without arousing any suspicion from the home office in Fort Lauderdale. At about the 50 page mark, Noogie learns that he’s been discovered, and he and his cat hit the road, abandoning his mother. Unfortunately, Knipfel has no more idea than his protagonist where to head from here, as both Noogie and the reader quickly find themselves “getting a little bored with this ‘on the lam’ business.” Noogie thinks his escape will make his life as exciting as a movie, but nobody appears to be chasing him. Whether out of ineptitude or desperation, he seems to do everything he can to draw the sort of attention that might result in his capture, leaving a $40 tip for a two-buck meal, spinning preposterous stories about his background, trading his van in for one exactly like it (with the same plates), heading for Florida where he knows they’re looking for him. The novel’s second half (following an “intermission” of 16 pages) features a significant plot twist that throws the narrative chronology out of whack and makes the reader care even less about Noogie than before.
Noogie’s shine dims pretty quickly.Pub Date: Oct. 16, 2007
ISBN: 978-0-75351-283-8
Page Count: 256
Publisher: Virgin Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
BOOK REVIEW
BOOK REVIEW
Stegner takes a long look back—at four decades of a foursome's life—in a novel that at moments is beguiling, though at others it labors for its theme. Larry Morgan and his wife Sally are young westerners who, one day in Depression-poor 1937, arrive in Madison, Wisconsin, where Larry is to take a one-year teaching post at the University of Wisconsin. Their lives are charmed and transformed when they become friends with Charity and Sid Lang, rich easterners whom the star-struck Morgans take to be the epitome of privilege, grace, and culture. A bosom friendship is formed between the two couples that is to last a lifetime, although that lifetime itself isn't to turn out as ideally as hoped. Success as a writer comes early to Larry Morgan, but his wife Sally is stricken by polio and made permanently a cripple. The elegant Sid Lang, meanwhile, is fired from his post at Madison, with the result that he and Charity (with children) are forced into retreat in the family's Kennedy-esque estate at Battell Pond, Vermont. There they wait out the years of WW II, and there it becomes increasingly clear (in the best sections of the book, which are rich, sure in tone, and reminiscent of, say, the reverberant delicacies of The Good Soldier) that the good Sid is in reality a weak and intellectually hapless man, and that wife Charity is in fact ruthlessly class-driven and relentlessly domineering. The novel ends in 1972, with a macabre reunion of the four friends in Vermont, as Charity orchestrates her own death (of cancer), compelling the others, in their varyingly crippled or exhausted states, to behave in the ways she sees as order-affirming and proper. Widely ambitious, the novel brings vividly to life certain quintessential moments and ideas—the idealistic moment between the Depression and WW II; the poetry-and-backpack rigor of the old New England intelligentsia. But Stegner clings to his theme of undying friendship beyond the point where his material keeps it alive, leading him to an often visibly artificial and conventionalized effort to push things along to their end. In all, less moving as a whole piece than highly remarkable for the fine penetration and achievement of some of its moments.
Pub Date: Sept. 21, 1987
ISBN: 037575931X
Page Count: 372
Publisher: Random House
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Aug. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Chicana writer Castillo (whose reputation until now has been mostly regional) brings a warm, sometimes biting but not bitter feminist consciousness to the wondrous, tragic, and engaging lives of a New Mexico mother and her four fated daughters. Poor Sofi! Abandoned by her gambler husband to raise four unusual girls who tend to rise from adversity only to find disaster. ``La Loca,'' dead at age three, comes back to life—but is unable to bear the smell of human beings; Esperanza succeeds as a TV anchorwoman—but is less successful with her exploitative lover and disappears during the Gulf War; promiscuous, barhopping Caridad—mutilated and left for dead—makes a miraculous recovery, but her life on earth will still be cut short by passion; and the seemingly self-controlled Fe is so efficient that ``even when she lost her mind [upon being jilted]...she did it without a second's hesitation.'' Sofi's life-solution is to found an organization M.O.M.A.S. (Mothers of Martyrs and Saints), while Castillo tries to solve the question of minority-writer aesthetics: Should a work of literature provide a mirror for marginalized identity? Should it celebrate and preserve threatened culture? Should it be politically progressive? Should the writer aim for art, social improvement, or simple entertainment? Castillo tries to do it all—and for the most part succeeds. Storytelling skills and humor allow Castillo to integrate essaylike folklore sections (herbal curing, saint carving, cooking)—while political material (community organizing, toxic chemicals, feminism, the Gulf War) is delivered with unabashed directness and usually disarming charm.
Pub Date: April 17, 1993
ISBN: 0-393-03490-9
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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