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THE CONDOR'S SHADOW

Refreshingly original writing with a delightfully orchestrated twist.

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In Story’s (Problems of Translation, 2015) second novel, several outsiders try to outrun their pasts.

In 1971, Clayton Poole is a 34-year-old journalist for the Rolling Hills Reporter newspaper in Montana. In the paper’s “morgue” of articles from other news outlets, he’s startled by a recent piece about a woman in Washington state who confesses to killing her estranged husband with a gun that a “mysterious stranger” gave to her. This discovery leads him to call an emergency meeting with his editor, but the exact reason for his excitement isn’t immediately revealed. In 1965, Rusty Thomas meets a waitress named Maddie in a diner at the limits of Southeast City, Washington. He presents her with a pair of nylons that he won in a radio contest. Their ensuing relationship is troubled by the specter of Maddy’s past. In 1952, Travis Mackey is a 15-year-old youth who lives with his father, the caretaker of a shutdown gypsum mine in the Coast Range in California. Ever since his mother’s untimely death, his dad has taken to beating him regularly. One day, on a deserted country road, he looks up and sees a condor, and he imagines it swooping down to sink its talons into the old man. Not long afterward, a stranger appears at the mine toting a gun. The narrative spans almost seven decades, beginning in 1952 and concluding in 2018, but author Story proves to be a master of the slow reveal, gradually pulling away the veil that shrouds a secret that’s central to the plot. He does so by sharing details of his characters only when readers truly need to know them, and not before. Regarding Rusty, Story writes laconically, “Though he lived close to the heart of the town, near the college, he was customarily drawn to peripheries.” Such revelations lead to further questions; for instance, is Rusty drawn to peripheries because he has something to hide? The novel’s epilogue is somewhat long-winded, unnecessarily tying up every loose end. Otherwise, though, this is a smartly conceived, beguiling tale that few readers will forget.

Refreshingly original writing with a delightfully orchestrated twist.

Pub Date: N/A

ISBN: 978-0-9862382-2-2

Page Count: 246

Publisher: Kurti Publishing

Review Posted Online: April 19, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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