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HANDLING THE UNDEAD

A philosophical story about fears to which no beating heart is immune.

Bright lights in a big city herald the return of the dead in Swedish horrorist Lindqvist’s second novel, after Let the Right One In (2007), a vampire tale that was later turned into a movie.

This time the author replaces vampires with zombies, a switch that effectively accents his expressive, unnerving writing. In the process he offers a unique and humanistic take on the undead that has a place alongside thoughtful horror novels like World War Z. The story begins in Stockholm with a subtle natural phenomenon. The country, deep in its winter twilight, experiences a collective headache that threatens to drive its sufferers mad. Next, the city is struck by a massive short circuit, a reverse blackout that powers up every appliance. Then Lindqvist introduces his cast: David, a stand-up comedian and loving husband; Mahler, a suicidal journalist who mourns the untimely death of his grandson Elias; and Elvy and her granddaughter Flora, quietly acknowledging the new telepathy that has emerged between them. When the dead do come back, the book delivers believable terror. The most disquieting scenes come early. David rushes to the hospital, where his beloved wife Eva has died in a car accident. As he cries with despair, his wife suddenly grasps his hand, opens one gruesome dead eye and croaks his name. Anyone who can drop off to sleep after this passage has nerves of steel. After photographing a newly reanimated morgue, Mahler rushes to his grandson’s grave, where he disinters the child’s body and carries the desiccated corpse home to bathe it. What’s interesting about what follows is the way that it’s handled—not with Romero-esque sarcasm and blood-spattering gunplay, but with sincere reflection on what would happen if the dead arose. How would the government respond? What does it mean to be human if death is not the end? And perhaps most importantly, how would we feel if those we loved and lost were suddenly returned to us?

A philosophical story about fears to which no beating heart is immune.

Pub Date: Oct. 1, 2010

ISBN: 978-0-312-60525-4

Page Count: 384

Publisher: St. Martin's

Review Posted Online: July 2, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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