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THE DAY GOD PLAYED BASEBALL

A nostalgic, heartwarming look at small-town baseball, but its scheming villain can make it difficult to take seriously at...

Hardy (When Brothers Meet, 2017, etc.) tells the story of a small, baseball-loving town in Pennsylvania as it prepares for the annual league championship game—but the rivalry between two teams goes much deeper than friendly competition.

Alex Sardinski, the chief loan officer at the only bank in Pineville, loves two things: baseball and his fiancée, Candy Hollis, a teller where he works. As he prepares for another shot at the championship and a future with Candy, his life seems perfect. Little does he know that farm-equipment business owner Conrad Beamis has a vendetta against him for not approving a business loan two years earlier. Step by step, Conrad sets out to exact his revenge on Alex by taking away what he loves most: first, his relationship with Candy and then the baseball championship. The couple starts having difficulties after Conrad hires Candy as his personal assistant, and a championship for Alex’s Cherokees feels impossible—the business tycoon stacks the Creeks team, and even the umpires work for him. Then a strange boy named Timmy joins the Cherokees for their final game against the Creeks. The baseball diamond becomes a place of transformation, justice, and the supernatural in a comedic romp of a finale. If this book’s antagonist sounds a bit overly diabolical for the context, that’s because he is; indeed, the devilish Conrad comes off as something of a mustache-twirling villain. In contrast, the main character, Alex, is likable though a little bland—somewhat like the story’s small-town setting. Those looking for a simple, somewhat predictable story of an underdog team will enjoy the outcome, however. There are some touching moments, as when Conrad’s autistic son, Ray, gets his first-ever baseball hit. A lot of paranormal occurrences during the game simultaneously amuse the crowd and teach lessons about cheating, fair play, and overall goodness.

A nostalgic, heartwarming look at small-town baseball, but its scheming villain can make it difficult to take seriously at times.

Pub Date: Sept. 20, 2017

ISBN: 978-1-973953-81-4

Page Count: 102

Publisher: CreateSpace

Review Posted Online: Nov. 23, 2017

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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