Savage, serious, hilarious, passionate, loving, and lyrical.
With wicked irony and wacky humor, essayist and novelist Williams (The Quick and the Dead, 2000, etc.) assails hunters, land developers, and scientists who experiment on animals.
These 19 pieces (modified from previous incarnations) display Williams’s mastery of a vast arsenal of literary weapons. Most potent of all is her wit. The opening essay, a tour de force written in the second person, skewers ordinary Americans who drift along with scarcely a thought about the consequences of their waste and their cruelty to other animals: “You don’t want to think about it! It’s all so uncool.” In another piece about Africa’s rapidly declining animal populations, she comments, “They’re still out there, in Africa, offering people the experience of their existence. Isn’t that nice?” Included here too are a controversial anti-hunting piece, whose original publication in Esquire occasioned many angry replies, and a funny rant about the humorless determination of American women, especially infertile women, to have babies—the author’s sly digression about Cabbage Patch dolls is worth the purchase price all by itself. Williams employs stealth weapons as well as heavy artillery. The account of her attempt to keep one acre of Florida in a natural state is as wistful as it is belligerent, and in a mere page and a half she deftly fillets John James Audubon, who killed for amusement far more birds than he ever painted. Perhaps the most gripping piece of all, “Hawk” begins with a lovely meditation about Glenn Gould, then segues seamlessly into a narrative about her loyal and loving German shepherd, which one day attacked without warning and nearly killed her. Williams, who has effectively arranged the volume with longer pieces separated by very short ones, concludes with “Why I Write,” an exquisite essay of illuminating paradoxes—e.g., “A writer loves the dark, loves it, but is always fumbling around in the light.”
Savage, serious, hilarious, passionate, loving, and lyrical.Pub Date: Feb. 1, 2001
ISBN: 1-58574-187-6
Page Count: 224
Publisher: Lyons Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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