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AN INCONVENIENT ELEPHANT

Animal-loving romantics will forgive the uneven tone.

The sequel to Singer’s Still Life with Elephant (2007) follows our heroine home from a year in Africa, only to discover that home may simply be where the elephants are. 

After breaking up with Tom Pennington, the millionaire animal activist who won her heart in the first novel, Neelie spends a year at a reserve in Kenya nurturing baby elephants. As she readies to return to New York, political strife in Kenya changes everything. Stranded at the airport she meets safari guide Diamond-Rose Tremaine, who manages to get the two of them to Zimbabwe, where Neelie falls hopelessly in love with an elephant the camp calls Tusker. His bad behavior has him targeted for execution, and she becomes determined to save him. In exchange for $35,000 to a corrupt official, Neelie and Diamond have three months to find Tusker a safe haven. The two make it back to New York, but both feel the constriction of suburban America. Neelie misses the baby elephants, and Diamond can’t wash the bush out of her soul. She rarely bathes, eats most meals with her knife, answers questions with Swahili proverbs and prefers sleeping on the floor to the challenge of untangling sheets. At the New York animal sanctuary where Neelie and Diamond work, its founder Mrs. Wycliff is faltering from dementia (but the funny, charming kind!) and is now on permanent safari. Tom saves the place and Neelie is convinced he’s the only one who can save Tusker, but he refuses. Is it out of spite? What are his secret plans for the sanctuary? Will Tom and Neelie reunite? The novel’s finale ignites romance between Tom and Neelie and between Diamond and Jungle Johnny, a children's-show conservationist. All’s well that ends well, but for the odd chords the novel strikes—from slapstick comedy (including a cursing parrot), to the seriousness of animal poaching and corruption in Africa, to the fairly predictable romantic mix-ups between Tom and Neelie.

Animal-loving romantics will forgive the uneven tone.

Pub Date: Aug. 1, 2010

ISBN: 978-0-06-171377-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2010

Kirkus Reviews Issue: July 1, 2010

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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