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STILL LIFE WITH ELEPHANT

Singer employs a light comic touch to this engaging second novel sure to appeal to romantics and animal lovers alike.

A cheating husband, dangerous horses, a dashing philanthropist and rescued elephants converge in this charming account of a woman’s recovery from a failed marriage.

Neelie’s always been a bit out of it, but when her husband’s veterinary partner calls to tell her she’s pregnant (and that would be thanks to Neelie’s husband Matt), Neelie retreats to the emotional safety of a box of jelly donuts. She soon discovers that Matt has closed their bank accounts and put a second mortgage on their house, leaving Neelie close to destitute, her income dependent on training difficult horses and the odd riding student. To make matters worse, Matt is trying to persuade Neelie he still loves her, that the affair was just one of those big mistakes. It’s been increasingly hard to get up in the morning, until friends who run a local wildlife sanctuary offer her the opportunity of a lifetime—travel Africa and rescue an injured elephant. Neelie takes on the challenge, and Matt assists with the project as well. The sanctuary and the rescue mission are financed by Thomas Princeton Pennington, a fairly impressive millionaire, at once rugged and sophisticated, who goes on the trek to supervise. When Neelie returns from Africa, it doesn’t take long for her to fall deeply in love—first with the elephant, Margo, and her baby, then with Tom, who’s taken a shine to Neelie as well. Singer (Horseplay, 2004), a horsewoman herself, as well as a foster mother to baby elephants, uses her expertise to deftly convey the passion Neelie has for the animals in her care, and the joy this kind of shared life can bring. On the human front, Neelie has a decision to make: Take Matt back, with all the comfort and certainty that offers, or consider Tom and a childless (his one demand) life of excitement.

Singer employs a light comic touch to this engaging second novel sure to appeal to romantics and animal lovers alike.

Pub Date: July 10, 2007

ISBN: 978-0-7679-2677-5

Page Count: 256

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2007

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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