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HORSEPLAY

Lots of galloping plot strands keep this bit of folderol racing along.

A sprightly comic tone and a North Carolina horse farm make for a bit more than just another silly romance.

Judy van Brunt, 33 and a high-school English teacher, decides that her husband Marshall’s newest affair is the last straw and takes off. First, she checks in with her sister Ruth to let her know she’s leaving (she dubs Judy “Saint Ruth of the Perfect Life,” a woman who serves “fabulous scones from a secret-source bakery whose location she was reluctant to share”). Always happiest at her weekly riding lessons, Judy takes a job as a working student for Katarina Rheinboldt, a German-born Olympic trainer, and in short order is mucking-out stalls and learning how to handle the brood mares. Newcomer Singer is at her strongest in the details of this work—the spills and tumbles in learning to ride top-level horses, the social hierarchy of the dormitory (some boarders are wealthy horsewomen, others working students like Judy), the competitive ring and the fundraisers. Judy transcends her position as groom when she attracts the attentions of Speed Easton, wealthy lawyer and horse-breeder. The two have a fling, and Judy is drawn to him until he tries to involve her in a mysterious midnight cult ritual, when she spurns him and turns to a series of spectacular but difficult horses. Her husband tracks her down and, through a series of mishaps, ends up shot to death by her dorm-mate’s daughter. They hadn’t divorced, so now Judy has money enough to buy a horse for herself. But her favorite falls on top of her, leaving her with a concussion and a broken leg. The local orthopedist, a dreamy doctor who dislikes horses, becomes her new love interest, forcing Judy to choose between her love of horses and her love of the doctor.

Lots of galloping plot strands keep this bit of folderol racing along.

Pub Date: Sept. 14, 2004

ISBN: 0-7679-1851-7

Page Count: 304

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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