by Julianna Baggott ‧ RELEASE DATE: Feb. 13, 2001
The stuff of farce, but Baggott’s deft movement of her material is often lyrical and poignant rather that just kooky—and...
A literary sitcom set in New England and New York, covering 15 years in a young woman’s life.
The year she turns 30, Lissy Jablonski, the narrator, is pregnant with a married man’s child; a long-ago sweetheart, Church Fiske, arrives at her New York City apartment; and her father, a gynecologist, dies. These three events trigger Lissy’s reexamination of her past, especially “the summer that never happened,” her 15th year when Lissy’s father ran off to Arizona with a redhead; Lissy’s mother informed her that her father was not her real father; and Lissy met Church Fiske. That was the summer of “girl talk”: the restless nights when Lissy’s mother filled her in on the truth of her own and Lissy’s past. Lissy’s account braids together exploration of that past with confrontations in the present as she attempts to answer a few important questions: How did she get where she is, and what does she do now? That teenaged year was highlighted by a road trip from New Hampshire, where she grew up, to Cape Cod, where she met the aristocratic but effete Fiske family, to Bayonne, New Jersey, where her mother hailed from and where Lissy’s biological grandfather Dino, a midlevel mafioso, still lives. Now, in her 30th year, Lissy faces single motherhood and the disappointment, if not humiliation, of Church’s falling for and marrying the roommate Lissy only recently dispossessed, a Korean stripper named Kitty Hawk. The 15 years between past and present are animated by various experiences with men who represent elements of one father or the other, either the gynecologist or the supermale hunk.
The stuff of farce, but Baggott’s deft movement of her material is often lyrical and poignant rather that just kooky—and Lissy’s consciousness is clearly enough realized so that the end of her tale doesn’t fail to move.Pub Date: Feb. 13, 2001
ISBN: 0-7434-0082-8
Page Count: 256
Publisher: Pocket
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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