Another heaven-storming hybrid of mystery and fantasy from veteran Wilhelm (Cambio Bay; Sweet, Sweet Poison, etc.): What's the link between a powerful mind-altering computer program and two murders in the Oregon woods? Seven years ago Lucas Kendricks deserted his young family and took off for mathematician Emil Frobisher's research project in Colorado. Now, after one day's warning—he ordered a monster computer to be sent to his old address—he's back, and then, moments later, he's dead, along with a young woman he gave a lift to only a few hours before. The police think Lucas raped and killed the hitchhiker and was shot down by his tiny, sharpshooting wife Nell; but defense attorney Barbara Holloway, needled by her estranged father into coming back to him and the law (she'd been on the run from both for five years after a dose of professional disillusionment) is convinced that Lucas's death had more to do with the mysterious men who followed him from Colorado. Taking on her share of clichÇs—alliance with her curmudgeonly, reluctantly supportive father; opposition from prosecutor/former lover Tony DeAngelo; romance with mathematician Mike Dinesen (whom she's called in to make sense of the connections Lucas had with Frobisher, psychiatrist Ruth Brandywine, and computer expert Walter Schumaker)—Barbara delves into those blank seven years, and comes up with answers that are even scarier than the questions: a set of the most user-unfriendly computer disks in literature. What does all this have to do with Lucas's murder? Not enough, unfortunately: the mixture of metaphysical fractals, courtroom drama, psychological thrills, and formal detection never quite jells. But the audacious scope of Wilhelm's cosmic riddling may spoil you for mysteries that merely ask whodunit.
Pub Date: July 1, 1991
ISBN: 0-312-05853-5
Page Count: 448
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1991
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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