Another heaven-storming hybrid of mystery and fantasy from veteran Wilhelm (Cambio Bay; Sweet, Sweet Poison, etc.): What's the link between a powerful mind-altering computer program and two murders in the Oregon woods? Seven years ago Lucas Kendricks deserted his young family and took off for mathematician Emil Frobisher's research project in Colorado. Now, after one day's warning—he ordered a monster computer to be sent to his old address—he's back, and then, moments later, he's dead, along with a young woman he gave a lift to only a few hours before. The police think Lucas raped and killed the hitchhiker and was shot down by his tiny, sharpshooting wife Nell; but defense attorney Barbara Holloway, needled by her estranged father into coming back to him and the law (she'd been on the run from both for five years after a dose of professional disillusionment) is convinced that Lucas's death had more to do with the mysterious men who followed him from Colorado. Taking on her share of clichÇs—alliance with her curmudgeonly, reluctantly supportive father; opposition from prosecutor/former lover Tony DeAngelo; romance with mathematician Mike Dinesen (whom she's called in to make sense of the connections Lucas had with Frobisher, psychiatrist Ruth Brandywine, and computer expert Walter Schumaker)—Barbara delves into those blank seven years, and comes up with answers that are even scarier than the questions: a set of the most user-unfriendly computer disks in literature. What does all this have to do with Lucas's murder? Not enough, unfortunately: the mixture of metaphysical fractals, courtroom drama, psychological thrills, and formal detection never quite jells. But the audacious scope of Wilhelm's cosmic riddling may spoil you for mysteries that merely ask whodunit.
Pub Date: July 1, 1991
ISBN: 0-312-05853-5
Page Count: 448
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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