The fortunes of the short story are about as uncertain today as those of Bosnia, mainly because it's no longer clear whether this once-popular literary form has many readers who are not writers themselves. This new entry in the venerable annual series doesn't much help clarify matters. The tales gathered by editor Dark (The Literary Traveler, 1994) were originally published in the usual rarefied venues—i.e., nonprofit quarterlies and the New Yorker— and most of them read like workshop exercises or novel fragments. Mary Gordon, in ``City Life,'' leads off the parade with yet another of her postmodern Horatio Alger tales, this one about a faculty wife at Columbia who thinks she has put her lower-class origins safely behind her until a weird encounter with a deranged neighbor. John Barth, in ``On With the Story,'' gets metaphysical in his description of an unhappily married young woman on a cross- country flight increasingly unsettled by the short story she is reading, which seems practically a portrait of her own life, and unaware that the stranger in the seat beside her is its author. ``Dancing After Hours'' gives us Andre Dubus's by-now quite familiar portrait of broken-down passion in backwoods Massachusetts, this time involving a retired schoolteacher who tends bar and an invalid. Representatives of the younger generation include Thomas Glave, who, in ``The Final Inning,'' describes the tensions that build up among the friends and relatives of a young black man from the ghetto who has died of AIDS, and how they erupt- -quite literally over the body of the deceased. And Rick Moody, in ``Demonology,'' also deals with a death in the family, this one being a young mother in suburban New Jersey who is remembered by her troubled younger brother. Pale and wan and surprisingly unambitious throughout. Introspection may be the prerequisite of serious literature, but it is not its end—and is obviously not its guarantee.
Pub Date: Oct. 1, 1997
ISBN: 0-385-48361-9
Page Count: 496
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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