Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series.

Waterwight

From the The Waterwight Series series , Vol. 1

In this YA adventure, a girl orphaned by global cataclysm searches for a new home, encountering talking animals and discovering she possesses special powers.

It’s been three or four years since The Event, a huge natural disaster with unnatural consequences that no one wants to talk about, including the adults at the orphanage where Celeste Araia Nolan, about 14, now lives. After a strange dream, Celeste decides to run away; in her journey, she meets helpful talking cats and dogs and the dangerous Shifter, an evil being who can take different forms. She also discovers an amazing ability: she can defy gravity, first with leaps and bounds, then by actually flying. From a stony-visaged mountain she calls Old Man Massive, Celeste learns she “must find the key to stopping the advance of the big water” lying southward. This is no normal ocean; it’s pink, gelatinous, reeking, destructive, and still spreading. Celeste flies across, getting a boost from Orville, a talking, winged, French-speaking frog who spoke to her in dreams. On the other side lies a village of children, survivors who have also developed strange powers, controlled by a mysterious Overleader, who punishes rule breakers. As Celeste works to find the key and save her new friends, she will face dangerous tests of her courage and resolve. McHargue (“Miss?”, 2013) taps into dreamscapes with their myth/dream logic very effectively in this entertaining novel. The section where Celeste gets trapped in a seductive fantasy castle—her parents alive, only her favorite foods on the table, every room full of toys and games—is powerfully spooky, reminiscent of Neil Gaiman’s Coraline. Post-apocalyptic YA fiction can be unrelentingly grim, but McHargue brings wit and warmth to this account as well as psychological insights, particularly in developing the Overleader’s character. There’s perhaps too much back and forth from the village to the mountain (Celeste begins to seem like a commuter flight), but the novel’s charms overcome this defect. Readers should want to know what happens next in the Waterwight world.

Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series. 

Pub Date: Feb. 29, 2016

ISBN: 978-0-9969711-0-2

Page Count: 346

Publisher: Alpha Peak

Review Posted Online: May 16, 2016

Kirkus Reviews Issue: July 1, 2016

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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