Weisberger writes with humor and authority, but her plot circles like a whirlpool—and by the time Andrea’s ready to face...

THE DEVIL WEARS PRADA

A junior assistantship to the editor of the world’s top fashion magazine (“The job a million girls would die for”) provides endless fodder for a one-note but on-the-money kiss-and-tell debut.

Andy, or, as her boss from hell calls her: “Ahn-dre-ah,” harbors dreams of writing for The New Yorker, but her luck runs out—or runs high, depending on your priorities—when her first job interview lands her at Runway magazine, beholden to Miranda Priestly, “solely responsible for anticipating her needs and accommodating them.” Intelligent, sarcastic and without a smidgen of interest in fashion, Andrea quickly learns the Runway culture, from the necessity of being tall, emaciated, slavish, and half-naked in winter to the perks of town cars, shopping bags filled with designer duds, and the promise of any job after one year of servitude. A few weeks of dealing with the insensitive, sadistic and imperious Miranda leave our heroine on the verge of abdicating, but before long she’s joining her colleagues in “the classic Runway Paranoid Turnaround . . . scrambling to negate whatever blasphemy is uttered” about the divine Miranda.” Outside of work, Andrea has a perfectly nice socially conscious boyfriend from her college days at Brown, a best-friend-slash-roommate with a drinking problem who’s getting her doctorate at Columbia, a loving family in Connecticut, and no time for any of them as she races to retrieve Miranda’s French bulldog puppy from the vet, hire a nanny for her children, make 12 trips in stiletto heels to Starbucks for her coffee in between sorting her dirty dry cleaning. It’s only a 14-hour day! Ultimately, of course, everything explodes, and in the end, of course, righteousness prevails.

Weisberger writes with humor and authority, but her plot circles like a whirlpool—and by the time Andrea’s ready to face some hard choices, it’s difficult to care. Her exhaustion is contagious. (N.B: Weisberger, this season’s buzz of the town, was an assistant to Vogue editrix Anna Wintour—read: Miranda Priestly—giving this putative roman-à-clef an added splash of juice.)

Pub Date: April 22, 2003

ISBN: 0-385-50926-X

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2003

Did you like this book?

No Comments Yet

ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?

No Comments Yet

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

Did you like this book?

No Comments Yet
more