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ARMAGEDDON

With his customary command of fact, and predilection for the times and places that try man's metal, Leon Uris here turns to the subject and story of postwar Berlin in the early stages of occupation. His story is in essence a commemoration of the patriotism of heroes who held the line in a thankless, demanding ordeal as they fought the first Cold War battles against the Communists for the West's foothold in Berlin. Uris starts his book as the war is ending; his Irish American hero Sean O'Sullivan is an officer under General Andrew Jackson Hansen and is preparing for the occupation of Germany, first in England, then on a pilot project in Rombaden. Then comes the real thing, the major task: Berlin. With his two brothers killed by the Germans, Sean battles a great hate which is almost eradicated by his love for Ernestine Falkenstein, the niece of the anti-Nazi German patriot who has returned from a concentration camp to lead his people under the four power occupation as Oberburgermeister of Berlin. But in the end Sean must walk away. The canvas is covered with numerous figures: the Amis who renounce plush, well paying jobs at home to fight the good fight; the Russians of varied stripe from the fanatic Azov to the human Igor Karlovy who sees his German mistress to safety in West Berlin but will not follow for love of his country, to Heinrich Hirsch, who defects out of conscience; the Germans, ranged from resurgent Nazis and Germans broken to Communism to the patriot Falkenstein. Uris carries his story through the Blockade and airlift to 1949, its success and the premise of continued occupation by the West. It is in a sense a story without a definite end, and as Sean fades out, so too will the novel which is strong on background and moments of contact but has little cumulative power. This will attract Uris' established audience but not add to it. A Literary Guild selection.

Pub Date: June 15, 1964

ISBN: 0552083895

Page Count: 602

Publisher: Doubleday

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: June 15, 1964

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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