Dean’s grasp of the material is shaky and her voice erratic.
Tourists at a fancy hotel on an unidentified Caribbean island find their vacation package includes the specter of death as well as skinny-dipping and anonymous sex.
Among the vacationing couples in Dean’s debut novel, which was long-listed for the 2004 Man Booker Prize, are Belgians Jan and Annemieke. Jan has been fighting cancer for six years; it is now terminal. He’s hoping for a reconciliation with his wife at the end of their long, rocky marriage, but Annemieke is more interested in self-gratification. She initiates sex with an unattractive guy named Bill in the massage room and later offers Adam, an English staff member, $150 for sex in her bedroom; she’s 49 and feels opportunity slipping away. The British George and Dorothy Davis are much older; he’s 79, she’s 82. The old-timers bicker constantly, so it’s a surprise when George later says Dorothy is “a good ’un. A pal,” and more of a surprise to learn that she has Alzheimer’s. In one of the novel’s two main episodes, she wanders off dazedly into the countryside. After she’s retrieved, she still manages to pull off plenty of one-liners. The other episode concerns Adam, Annemieke’s stud. After he’s serviced her, she cries rape, and things look bad for the Brit until her earlier fling is revealed. That’s the action, such as it is, but Dean squeezes in several monologues. George confesses to cheating on Dorothy; Jan reveals “a brush with evil” in Belize; and Bill talks of his alcoholism and how it drove his wife to suicide before he turned to God. These monologues are more convincing than are the minor characters, especially the beautiful Chinese woman who wants Jan to elope with her to Paris (where else?) and swear unconditional love as he dies in her arms.
Dean’s grasp of the material is shaky and her voice erratic.Pub Date: Jan. 9, 2006
ISBN: 0-15-101174-5
Page Count: 320
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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