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MIMI

Ellman’s use of visuals and wordplay, as well as her comic sensibility, is very much a matter of taste, though her tone...

Another self-consciously erudite comedy from Ellmann (Doctors and Nurses, 2006, etc.), this time a romance about a plastic surgeon whose love for a good woman helps him take stock.

On Christmas Eve—the novel is organized by holidays—plastic surgeon Harrison Hanafan slips on the ice in Midtown Manhattan and sprains his ankle. Having recently broken up with his girlfriend, Gertrude, a rich art lover with no redeeming characteristics except her son (born by parthenogenesis), Harrison recuperates at home for weeks with his newly adopted cat, Bubbles, playing music and making lists as is his wont. An invitation that arrives in the mail to give a speech at his old high school causes him to call his sister Bee, who escaped her abusive husband and is now a sculptor in England, and to ruminate about his unhappy childhood. Afraid of speechmaking, he hires a coach who turns out to be the plump, middle-aged mystery woman who saved him on Christmas Eve by putting him in a cab. Love blooms between Harrison and Mimi, full of bons mots and more lists that give the author a chance to share her sociological and cultural insights ad nauseam. The romance does face bumps in the road. Gertrude arrives and tries to seduce Harrison just as Mimi walks in. Then, there is the random murder of Bee, shot by a crazed ex-soldier in a rage against women. And Bubbles is run over but survives. The skimpy plot of Harrison’s emotional and moral growth is encased in thick layers of social commentary, one-liner repartee and those endless lists. The sense of being preached to is strong throughout. And excepting the lyrics to some lovely old songs like “Joe Hill” and “She’ll Be Comin' Round the Mountain,” the appendix with Harrison’s feminist manifesto is mostly annoying.

Ellman’s use of visuals and wordplay, as well as her comic sensibility, is very much a matter of taste, though her tone strongly implies that the readers who don’t get her are merely plebeians anyway.

Pub Date: Feb. 14, 2013

ISBN: 978-1-62040-020-3

Page Count: 352

Publisher: Bloomsbury

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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