A lyrical work of intellectual history, one that Popova’s many followers will await eagerly and that deserves to win her...

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FIGURING

The polymathic Popova, presiding genius behind brainpickings.org, looks at some of the forgotten heroes of science, art, and culture.

“There are infinitely many kinds of beautiful lives,” writes the author at the outset. She closes with the realization that while we individuals may die, the beauty of our lives and work, if meaningful, will endure: “What will survive of us are shoreless seeds and stardust." In between, she peppers thoughtful, lucid consideration of acts of the imagination with stories that, if ever aired before, are too little known. Who would have remembered that of all the details of the pioneering astronomer Johannes Kepler’s life, one was racing across Germany to come to the aid of his widowed mother, who had been charged with witchcraft? The incident ably frames Kepler’s breaking out of a world governed by superstition, “a world in which God is mightier than nature, the Devil realer and more omnipresent than gravity,” and into a radical, entirely different world governed by science. That world saw many revolutions and advances ahead of the general population, as when, in 1865, Vassar College appointed as its first professor of astronomy a woman, Maria Mitchell, who combined a brilliant command of science with a yearning for poetry. So it was with Rachel Carson, the great ecologist, whose love for a woman lasted across a life burdened with terrible illness, and Emily Dickinson, who might have been happier had her own love for a woman been realized. (As it was, Popova notes, the world was ready for Dickinson: A book of her poems published four years after her death sold 500 copies on the first day of publication.) Throughout her complex, consistently stimulating narrative, the author blends biography, cultural criticism, and journalism to forge elegant connections: Dickinson feeds in to Carson, who looks back to Mitchell, who looks forward to Popova herself, and with plenty of milestones along the way: Kepler, Goethe, Pauli, Henry James, Nathaniel Hawthorne….

A lyrical work of intellectual history, one that Popova’s many followers will await eagerly and that deserves to win her many more.

Pub Date: Feb. 5, 2019

ISBN: 978-1-5247-4813-5

Page Count: 592

Publisher: Pantheon

Review Posted Online: Dec. 9, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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