Life really is this difficult and annoying; stories like these make it more bearable.
Eleven wry, elegant stories, à la Lorrie Moore and Amy Bloom, address the sometimes-brutal stupidities of modern life.
"Not to pat myself on the back or anything, but the fact is that when my ex-husband's hot young wife fell ill recently, I went over there the day Miranda was released from the hospital and cooked them an excellent dinner." "What Went On" is the first story in Thurm's (What's Come Over You?, 2001, etc.) long-awaited new collection, again chronicling the frustrations and heartbreaks of contemporary domestic arrangements with a brilliantly light touch. Thurm hits the funny/sad spot every time, whether the subject is bereavement, divorce, betrayal, or some other form of abandonment. Her protagonists must tolerate annoying intimates ranging from a grown child who won't read her mother's one published novel to a girlfriend who thinks the main problem at Auschwitz is that they charge extra for ketchup at the snack bar. The title story details the plight of a woman named Lauren who falls and shatters her kneecap while running for a cigarette immediately after having been informed by her fiance that he no longer loves her. Since he is such a fine, good-hearted person, he delays kicking her out of the apartment until after her recovery, a kindness that turns out to be a form of torture. The story's title refers to a slogan Lauren remembers seeing on a T-shirt in the subway: I CAN ONLY BE NICE TO ONE PERSON A DAY AND TODAY IS NOT YOUR DAY. This seems to express the worldview of not just the rude nurse's aide who dismisses Lauren's pain and leaves her sitting on a bedpan for 20 minutes, but of any number of the hilariously self-absorbed characters who elbow their ways through this charmingly sad book.
Life really is this difficult and annoying; stories like these make it more bearable.Pub Date: Oct. 1, 2015
ISBN: 978-0-9831505-5-8
Page Count: 203
Publisher: SixOneSeven Books
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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