A highly charged, deeply eroticized historical and contemporary fiction from the American-born English author of two short-story collections and the novels Trust (1988) and Rose Reason (1992). Flanagan writes about women who are impelled by the urgent, often violent emotions they conceal beneath dutiful exteriors, and who are usually disappointed by the men to whom they confide their secrets. There's an identifiable, implicit homage to Henry James in her penetrating analyses of the ways in which women think, feel, and behave differently from men. This novel begins as Celia Pippet (``a snotty middle class sourpuss''), having stolen a scandalous objet d'art from the British Museum, travels to France to learn the truth about eponymous title character Adäle Louisante—a mysterious Parisian beauty whose involvement in a scandalous love affair, 50 years earlier, had led to her even more mysterious death. Accompanied by friends who both share and mistrust her zeal, Celia investigates L'affaire Adäle, striking gold when she meets Adäle's onetime nurse Blanche Jessel (could a character's name be more Jamesian?), whose reluctant memories include her characterization of Paris between the World Wars as ``a sexual theme park.'' Flanagan's tendencies toward garish imagery and runaway melodrama are actually quite successfully concentrated in the thrillingly evoked figure of Jonas Sylvester, a proto-Nazi gynecologist who had imagined the lustrously beautiful Adäle the prototype for a scientifically created perfect race—and whose workmanlike passion for his headstrong Trilby becomes both the making and the breaking of her. Adäle is, alas, far too passive to be fully credible, and Flanagan never gets convincingly inside her mind and feelings (or, indeed, those of any of the novel's characters). Oddly enough, it scarcely matters, for almost everything else works in this expertly fashioned romantic tale. Henry James might have disapproved, but one suspects he would have devoured every page of Adäle with agreeably guilty pleasure.
Pub Date: Oct. 1, 1997
ISBN: 0-393-04547-1
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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