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SOLAR REBOOT

This tale’s sharp focus on imperfect but appealing characters sets it apart from standard genre fare.

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In Hunt’s debut thriller, a forest ranger races across the United States with his daughter to reunite with his wife after a solar flare wreaks havoc worldwide.

Alex Robinson is a disaster “prepper” who’s often worried about riots, food shortages, or mad cow disease, so news reports of an unusually large solar flare have him on edge. After his preteen daughter Piper’s out-of-state swim meet in New York City, he wants to forgo sightseeing and quickly get home to his wife (and Piper’s mother), Cameron, in Seattle. But before he and his daughter can leave, there’s a statewide power outage, and it turns out that other parts of the country are facing the same problem. Alex opts to hit the road with Piper, which proves to be an arduous undertaking involving shoddy cellphone service, raging storms, and even falling planes. In the meantime, former Army medic and current emergency room nurse Cameron takes refuge at the family’s cabin in the mountains of Washington state. The relatively small cabin community, however, isn’t immune to unrest, and she and her friend Wade, who also served in the Army, try to maintain order. Meanwhile, she hopes that her family members make it home or, at least, find a way to communicate with her. Hunt’s narrative is epic in scope, but he aptly zeroes in on his main characters to tell the story. Readers don’t know any more about the ongoing catastrophes than the Robinsons do, although one scientific explanation is offered—as a minor character’s conjecture. Hunt further elevates the suspense by adding personal obstacles (diabetic Piper needs insulin, for example) and character flaws (Alex must overcome his trust issues). It’s familiar terrain; as in other disaster or apocalyptic novels, people—including car thieves and trigger-happy survivors—are invariably worse than the calamity they face. But the author delivers it all in easygoing, steadily paced prose, resulting in an ending that thoroughly wraps things up—although a sequel would be feasible.

This tale’s sharp focus on imperfect but appealing characters sets it apart from standard genre fare.

Pub Date: July 26, 2017

ISBN: 978-0-692-91671-1

Page Count: 477

Publisher: CreateSpace

Review Posted Online: Jan. 30, 2018

Kirkus Reviews Issue: March 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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