A book that proves just as keen and charming as its characters.
In Dalrymple’s second thriller featuring Ann Kinnear, the appealing spirit sensor fears she may be haunted by the ghost of a killer.
Ann’s been unhappy since surviving an encounter with a murderer; she killed Biden Firth in self-defense but also lost her beloved dog Beau. And though she can sense Beau’s spirit, he seems to have moved on. When sudden hand cramps lead to injuries, Ann believes Firth’s ghost is the source and calls fellow sensor/consultant Garrick Masser. Garrick, in turn, offers an exchange of services: he’ll help get rid of Firth if Ann can locate “the lady,” a mysterious something that Garrick’s client, Ellen Lynam, wants. Ellen’s late brother, Loring, isn’t cooperating with Garrick (they weren’t on friendly terms when Loring was alive), but the ghost may respond more favorably to the reddish-blonde Ann. Ann, meanwhile, can only hope that Firth doesn’t compound his assaults on her. Dalrymple (The Sense of Death, 2013) has crafted an understated mystery; it seems like a simple case for Ann, but numerous conundrums emerge during the investigation. It isn’t initially apparent, for example, what exactly the lady is, or why Ellen thinks the lady can save her family’s hotel. There’s unquestionably a constant threat for Ann; she can’t even drive because a hand cramp could cause an accident, and she has to rely on brother Mike’s boyfriend, Scott, as her chauffeur. But Dalrymple’s story is at its best in its jovial, humorous scenes. For example, Ann’s go-to pseudonym is Kay Near, clearly inspired by her surname. Likewise, a surprise run-in with Ellen leads Ann to pretend Scott is her fiance, a role that he plays with unmistakable relish. Even Dalrymple’s prose isn’t resistant to cheeky descriptions, referring to Garrick as an “emaciated vulture,” while Ann, aiming to drive without Scott’s knowledge, spots his hanging pants and pats “the pockets of the pant guiltily.” The ending offers a thorough resolution but not before hitting a few genuinely surprising plot twists.
A book that proves just as keen and charming as its characters.Pub Date: Sept. 19, 2015
ISBN: 978-0-9862675-1-2
Page Count: 304
Publisher: William Kingsfield Publishers
Review Posted Online: Nov. 30, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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