Lives overflowing with pain are what Thon offers in her second novel (following Meteors in August, 1990), this time focusing on three Idaho teenagers. When Vietnam vet Everett Fry shot himself after his return in 1966 to White Falls, Idaho, his brother Matt drove the family car into the river; disowned by his parents, Matt took to living in a shed, where he was comforted by 11-year-old Iona Moon, though all she got in return was a headful of lice. But the skinny little farmer's daughter has been used to doing favors for her three loutish big brothers, and her reputation—that she ``was never tight with the boys''—excites diving-champion Jay Tyler, the dentist's son, though it repels his buddy Willy Hamilton who, mindful of his religion, priggishly walks the straight and narrow. (Circumstances prevent Jay from going all the way with Iona, while Willy just says no to backseat love.) Iona is as generous caring for her cancer-stricken mother Hannah, but once her mohter has died, Iona (now 17) wants out; she's narrowly escaped being gang- banged by high-school boys ``nasty as goats,'' and Matt Fry is in the nuthouse. So she runs away to Seattle, where life is just as miserable (``you take yourself with you''), though she finds temporary relief with Eddie Birdheart, a one-legged married guy, half-Indian. Back in White Falls, Jay, having impregnated a 14- year-old and broken his legs in a driving accident, has succumbed to self-pity and hard liquor, while Willy has outgrown his priggishness and lost his virginity to Jay's alcoholic mother Delores. (The parents, naturally, are even unhappier than their children.) Iona returns home; the ending is left open. Thon writes capably, but her prose is not yet powerful enough, nor her characters autonomous enough, to make her monochromatic world memorable.
Pub Date: June 1, 1993
ISBN: 0-671-79687-9
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
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