A smart, ruefully funny chronicle of a modern young woman’s search for love. When we meet Jane Rosenal, she’s a wisecracking 14-year-old whose sassy wit keeps the world at bay but also gets the attention of her affectionate yet slightly distant parents. First-novelist Bank creates a dead-on teenage voice from her opening lines, making protagonist Jane both mildly obnoxious and appealingly vulnerable as she relates her efforts to decipher what went wrong between her older brother, Henry, and his upper-crust girlfriend, Julia. In subsequent chapters, the author skillfully allows Jane’s narration to evolve as the young girl struggles toward maturity and Mr. Right. When she gets an entry-level job in publishing and becomes involved with a much older editor, Archie Knox, Bank’s insightfully nuanced portrait shows Archie helping Jane grow professionally—particularly by guiding her through the treacherous office currents created by a boss subtly determined to keep her down—while keeping a firm upper hand emotionally. When her father reveals he has leukemia, the reserve between parent and child is breached, and the support Jane finds enables her to leave Archie. The final segment wickedly spoofs The Rules and other manipulative man-hunting guides as Jane nearly scares off her Prince Charming by behaving in ways completely alien to her open, candid nature; the satire wears thin after a time, but the finale’s warmth all but makes up for it. The novel takes the currently fashionable form of freestanding chapters that read like short stories that just happen to be about the same character. Two of them—a first-person vignette by someone other than Jane; an odd second-person account of breast cancer and an excessively devoted boyfriend—don—t really fit in, but otherwise Bank’s debut is a model of well-crafted narrative building to a thoughtful, hopeful conclusion. Bank has created a delightful heroine who deserves her happy ending—even though any reader who has really been paying attention to the sharp, unsentimental details knows that all happy endings are provisional. (First serial to Cosmopolitan & Zoetrope; Book-of-the-Month Club alternate selection; author tour)
Pub Date: June 1, 1999
ISBN: 0-670-88300-X
Page Count: 274
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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