A smart, ruefully funny chronicle of a modern young woman’s search for love. When we meet Jane Rosenal, she’s a wisecracking 14-year-old whose sassy wit keeps the world at bay but also gets the attention of her affectionate yet slightly distant parents. First-novelist Bank creates a dead-on teenage voice from her opening lines, making protagonist Jane both mildly obnoxious and appealingly vulnerable as she relates her efforts to decipher what went wrong between her older brother, Henry, and his upper-crust girlfriend, Julia. In subsequent chapters, the author skillfully allows Jane’s narration to evolve as the young girl struggles toward maturity and Mr. Right. When she gets an entry-level job in publishing and becomes involved with a much older editor, Archie Knox, Bank’s insightfully nuanced portrait shows Archie helping Jane grow professionally—particularly by guiding her through the treacherous office currents created by a boss subtly determined to keep her down—while keeping a firm upper hand emotionally. When her father reveals he has leukemia, the reserve between parent and child is breached, and the support Jane finds enables her to leave Archie. The final segment wickedly spoofs The Rules and other manipulative man-hunting guides as Jane nearly scares off her Prince Charming by behaving in ways completely alien to her open, candid nature; the satire wears thin after a time, but the finale’s warmth all but makes up for it. The novel takes the currently fashionable form of freestanding chapters that read like short stories that just happen to be about the same character. Two of them—a first-person vignette by someone other than Jane; an odd second-person account of breast cancer and an excessively devoted boyfriend—don—t really fit in, but otherwise Bank’s debut is a model of well-crafted narrative building to a thoughtful, hopeful conclusion. Bank has created a delightful heroine who deserves her happy ending—even though any reader who has really been paying attention to the sharp, unsentimental details knows that all happy endings are provisional. (First serial to Cosmopolitan & Zoetrope; Book-of-the-Month Club alternate selection; author tour)
Pub Date: June 1, 1999
ISBN: 0-670-88300-X
Page Count: 274
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
BOOK REVIEW
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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