A gifted storyteller who parses battered dreams and the legacies of abandonment with a harsh realism that is both saddening...
This resourceful writer weds violence, despair, and glimmers of hope during a few tense days in the life of a once-legendary bare-knuckle fighter.
In a brief prologue, Jack Boucher is abandoned at age 2 and bounces around foster homes before an unmarried woman named Maryann takes him in at age 12. As the main story opens, Jack is 50 and facing nothing but trouble. The bank is about to repossess Maryann’s house, and a vicious bookie has sent collectors to squeeze him for gambling debts. It gets worse. After winning $12,000 at a casino, Jack crashes his truck and wanders off in a daze, forgetting the money. The cash then slips into a subplot about a traveling carnival with ex-con roustabouts and a tattooed beauty named Annette. She and the carnie boss find the money, but there are complications, not least her possible ties to Jack. In flashbacks, Smith (Desperation Road, 2017, etc.) reveals the loving bonds Jack forms with Maryann and the thrill he discovers in the bare-knuckle cage, where he soon becomes a star in a bloody demimonde. But too many blows to the head leave him in constant pain and addicted to pills and booze that also cost him his edge in the cage—an edge he may need one last time. Smith could be nodding to the classical unities of place and time, with his three-day plot centered on Clarksdale, Mississippi. Other unifying factors are hard-edged, like the brass knuckles that appear four times in nearly 200 pages, or quasi-mystical, like a hawk that marks both Jack and Annette. These elements are subtly handled, but Smith shows less restraint by letting Jack’s pondering of his physical and psychological pain become a litany.
A gifted storyteller who parses battered dreams and the legacies of abandonment with a harsh realism that is both saddening and engaging.Pub Date: March 20, 2018
ISBN: 978-0-316-43234-4
Page Count: 256
Publisher: Lee Boudreaux/Little, Brown
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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