Coming-of-age along the weirder edges of late-20th-century America is evoked through a montage of gritty, frequently bizarre tales spinning obliquely off cult and classic movies.
If you were to read a story about a man who leaves his family to marry one of a dozen eggs he buys at a grocery store (yes, you read it right the first time), would it occur to you to somehow connect this to the 1983 science-fiction thriller Blade Runner? Assuming you’d seen the movie and given some thought to its theme, you might—or you might dismiss the connection altogether. Such challenges to memory and intellect make this novel as close to an interactive experience as reading a collection of cutting-edge short fiction can be. McGriff and Tyree take turns writing brief stories inspired by, but not directly connected to, the same movies. Some links are easier to make than others: The railroad-tracks riff deployed by both writers off George Washington (2000) will resonate with those who remember a principal setting of David Gordon Green’s haunting reverie of childhoods at risk, while On the Waterfront (1954) inspires one of the writers (there are no bylines) to take a surrealistic stroll along the docks while the other takes off after someone who ratted him out. But after a while, it doesn’t matter how you match your memories of the movies with theirs or whether you’ve seen all of them. Because what emerges from these sometimes-opaque, often strikingly realistic sketches is a portrait of suburban or rural youth from the 1980s to the present day; “linked snapshots,” as the authors’ introduction aptly puts it, “chronicling our parallel trajectories as the last children of the Cold War.”
An intriguing, frequently affecting experiment that challenges its readers to think anew about sharpening and refracting their memories of both life and art.Pub Date: Nov. 4, 2014
ISBN: 978-0-9892759-6-5
Page Count: 168
Publisher: A Strange Object
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Categories: GENERAL FICTION
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PROFILES
A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.
When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.
A touching family drama that effectively explores the negative impact of stress on fragile relationships.Pub Date: May 19, 2020
ISBN: 978-1-250-11951-3
Page Count: 416
Publisher: St. Martin's
Review Posted Online: March 2, 2020
Kirkus Reviews Issue: March 15, 2020
Categories: FAMILY LIFE & FRIENDSHIP | GENERAL FICTION
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A love letter to the power of books and friendship.
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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Categories: GENERAL FICTION | HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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