TV's beloved ``Ed Norton'' finally gets his due in a breezy, often incisive biography. Considering the fact that Art Carney's creation in The Honeymooners shows no signs of diminishing popularity more than 40 years after his debut, and that his work outside the series has shown extraordinary range from low comedy to darkest tragedy, peaking in his Oscar-winning performance in Harry and Tonto, it's startling to realize that no book on his life has been published until now. Perhaps it was the actor's own shy and reclusive nature that prevented other attempts. But Carney is fortunate to have found his biographer in Starr, TV columnist for the New York Post. This is a brief book by current standards but so densely packed with information that it's hard to imagine what might have been missed. Starr traces Carney's professional career from his days as an impressionist and radio actor, to stardom on The Jackie Gleason Show, and on to his emergence from Gleason's shadow into a remarkable solo career. Starr also turns a sensitive eye to Carney's rockier personal life: Public triumphs were constantly undermined by alcoholism and bouts of deep depression. Starr appears to have talked to virtually everyone who ever knew or worked with Carney (though not Carney himself), and he wisely lets these friends and acquaintances tell their own stories. He keeps his own voice clear but refreshingly impartial. Art Carney emerges from these pages as a kind, gentle man who, tragically, has seldom found the love for himself that his millions of fans give him without qualification. Starr's perceptive biography presents its subject as a man who became legendary, not through hype or self-promotion, but through the sheer force of his talent. (16 pages b&w photos, not seen)
Pub Date: April 24, 1997
ISBN: 0-88064-173-8
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
BOOK REVIEW
A tiny book, not much bigger than a pamphlet, with huge potential impact.
A collection of articulate, forceful speeches made from September 2018 to September 2019 by the Swedish climate activist who was nominated for a Nobel Peace Prize.
Speaking in such venues as the European and British Parliaments, the French National Assembly, the Austrian World Summit, and the U.N. General Assembly, Thunberg has always been refreshingly—and necessarily—blunt in her demands for action from world leaders who refuse to address climate change. With clarity and unbridled passion, she presents her message that climate change is an emergency that must be addressed immediately, and she fills her speeches with punchy sound bites delivered in her characteristic pull-no-punches style: “I don’t want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act.” In speech after speech, to persuade her listeners, she cites uncomfortable, even alarming statistics about global temperature rise and carbon dioxide emissions. Although this inevitably makes the text rather repetitive, the repetition itself has an impact, driving home her point so that no one can fail to understand its importance. Thunberg varies her style for different audiences. Sometimes it is the rousing “our house is on fire” approach; other times she speaks more quietly about herself and her hopes and her dreams. When addressing the U.S. Congress, she knowingly calls to mind the words and deeds of Martin Luther King Jr. and John F. Kennedy. The last speech in the book ends on a note that is both challenging and upbeat: “We are the change and change is coming.” The edition published in Britain earlier this year contained 11 speeches; this updated edition has 16, all worth reading.
A tiny book, not much bigger than a pamphlet, with huge potential impact.Pub Date: Nov. 26, 2019
ISBN: 978-0-14-313356-8
Page Count: 112
Publisher: Penguin
Review Posted Online: Nov. 2, 2019
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A lyrical work of intellectual history, one that Popova’s many followers will await eagerly and that deserves to win her...
The polymathic Popova, presiding genius behind brainpickings.org, looks at some of the forgotten heroes of science, art, and culture.
“There are infinitely many kinds of beautiful lives,” writes the author at the outset. She closes with the realization that while we individuals may die, the beauty of our lives and work, if meaningful, will endure: “What will survive of us are shoreless seeds and stardust." In between, she peppers thoughtful, lucid consideration of acts of the imagination with stories that, if ever aired before, are too little known. Who would have remembered that of all the details of the pioneering astronomer Johannes Kepler’s life, one was racing across Germany to come to the aid of his widowed mother, who had been charged with witchcraft? The incident ably frames Kepler’s breaking out of a world governed by superstition, “a world in which God is mightier than nature, the Devil realer and more omnipresent than gravity,” and into a radical, entirely different world governed by science. That world saw many revolutions and advances ahead of the general population, as when, in 1865, Vassar College appointed as its first professor of astronomy a woman, Maria Mitchell, who combined a brilliant command of science with a yearning for poetry. So it was with Rachel Carson, the great ecologist, whose love for a woman lasted across a life burdened with terrible illness, and Emily Dickinson, who might have been happier had her own love for a woman been realized. (As it was, Popova notes, the world was ready for Dickinson: A book of her poems published four years after her death sold 500 copies on the first day of publication.) Throughout her complex, consistently stimulating narrative, the author blends biography, cultural criticism, and journalism to forge elegant connections: Dickinson feeds in to Carson, who looks back to Mitchell, who looks forward to Popova herself, and with plenty of milestones along the way: Kepler, Goethe, Pauli, Henry James, Nathaniel Hawthorne….
A lyrical work of intellectual history, one that Popova’s many followers will await eagerly and that deserves to win her many more.Pub Date: Feb. 5, 2019
ISBN: 978-1-5247-4813-5
Page Count: 592
Publisher: Pantheon
Review Posted Online: Dec. 8, 2018
Kirkus Reviews Issue: Jan. 1, 2019
BOOK REVIEW
BOOK REVIEW
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