by Michael Stephen Daigle ‧ RELEASE DATE: July 1, 2019
A winning origin story for one of modern fiction’s expertly drawn detectives.
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This prequel to the Frank Nagler mystery series helps readers understand how the detective originally struggled, much like the city he serves.
This case is set about 20 years before The Swamps of Jersey (2014), the first of three volumes of Nagler present-day mysteries. Young Frank is a rookie detective on the police force in Ironton, New Jersey, his hometown. He is learning as he goes: “He felt he was running just to keep up, slogging through the everyday stuff of what he didn’t know, what he couldn’t imagine, one hand outstretched to feel the fog.” But a month after becoming a detective, he gets put on the Red Hand murder case, in which four women had been killed in various ways. Tying them together is a red hand-print emblazoned with the words “Hand of Death” at each crime scene. What is making these serial murders more difficult to solve is the lack of a discernible pattern. As Medical Examiner Walter Mulligan explains, “Someone is experimenting in death.” Complicating Frank’s life is that his wife, Martha, his childhood sweetheart, is dying from cancer. In addition, behind the scenes, the mayor and his cohorts are using the paranoia caused by the killings to scoop up real estate cheaply. Furthermore, the chief detective on the case is the mayor’s inside man. So Frank has to push past these personal and institutional obstacles while attempting to solve this baffling case. This dense, engrossing prequel illuminates why Frank embraces Ironton before economic decline and corruption totally savaged the town. Ironton is a character that Daigle (The Frank Nagler Mysteries: An Anthology, 2018, etc.) brings to atmospheric life in his work: “The sun had squeezed out of the mud the greasy mix of rotten plants, moldy, sweating trash, motor oil that had leaked from dismembered, rusted cars parts, and the musk of dead animals, and then compacted it.” It’s a wonder that Frank never fled Ironton, but, through his memories, this novel shows that it was home to him and Martha. That’s why, despite his hard-won cynicism, Frank still holds out hope, much like Ironton itself, seeking to rebound from ruin. This tale also presents younger versions of characters who continue to affect Frank today. These include Martha, newspaperman Jimmy Dawson, priggish superior Chris Foley, and down-on-his-luck Del Williams. This allows readers to gauge how relationships with Frank have developed through the decades. The author’s pacing is immaculate in this gruesome thriller, as he ratchets up the tension as each additional body is found. He also captures a portrait of a once-thriving community in chaos as fear sweeps through Ironton. While the fledgling detective often finds himself adrift while investigating the case, Frank’s moral compass never wavers, even when the town and its officials are ready to lynch an unlikely suspect. This makes him almost a lone voice in the wilderness but his gut proves right in the end. What results is a taut look back at the birth of a memorable character.
A winning origin story for one of modern fiction’s expertly drawn detectives.Pub Date: July 1, 2019
ISBN: 978-1-944653-19-4
Page Count: 298
Publisher: Imzadi Publishing
Review Posted Online: Nov. 26, 2019
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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