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EINSTEIN

A LIFE IN SCIENCE

The same team that brought you Stephen Hawking: A life in Science has decided to defend Albert Einstein against assorted revisionist treatments. Principal among Einstein's critics are those who say Einstein's first wife, Mileva Maric, is not given credit for her contributions to special relativity theory and that, in general, she had a rough time. (Their illegitimate daughter was placed for adoption and subsequently lost to history; Einstein's mother loathed Mileva for her peasant origins, etc.) Since the authors find nothing good to say about her, quoting sources describing her as unattractive, distrustful, and noting that she never did get her degree, they can hardly be credited with unbiased views. On the other hand, they are prepared to say that Einstein himself may have suffered schizophrenia—following a notion of psychiatrist Anthony Storr that seems off the wall. Be that as it may, they do manage to bring off a colorful description of the life for which the adjective peripatetic hardly suffices. Poor Maleva and the later-born sons followed along, making do and making Poppa as comfortable as possible. The chapters interleave the life with popular accounts of the major work, underscoring the papers produced in 1905, the "annus mirabilus," that launched Einstein's reputation. The paper on the photelectric effect earned Einstein the Nobel in 1922—proceeds of which he had agreed years before to give to Maleva after their divorce. In due course, we meet the physicists and astronomers who would later verify the accuracy of general relativity by measuring the bending of starlight near the sun during an eclipse. Following Einstein's rejection of quantum theory in the 1920's, the authors trace the personal eclipse of Einstein's creative career and ascent to the role of elder statesman and charming Princeton eccentric. Certainly some new and interesting details here, and accurate, acessible explanations of theory. But please, Einstein's life needs no apology!

Pub Date: March 22, 1994

ISBN: 0743263898

Page Count: 288

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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LETTER TO MY DAUGHTER

A slim volume packed with nourishing nuggets of wisdom.

Life lessons from the celebrated poet.

Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.

A slim volume packed with nourishing nuggets of wisdom.

Pub Date: Sept. 30, 2008

ISBN: 978-1-4000-6612-4

Page Count: 192

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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UNFINISHED BUSINESS

NOTES OF A CHRONIC RE-READER

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.

Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”

Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.

Pub Date: Feb. 4, 2020

ISBN: 978-0-374-28215-8

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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