A hugely entertaining techno-magic adventure novel.
In Speegle’s (Pen and Platen, 2011) novel set in a fantastic future world, technologically enhanced craftsmen face a deadly new threat.
As the story opens, a young man named Gregor loses his home, his best friend and very nearly his life in the hinterlands at the fringe of the Tech Republic. He and his friend Anatoly are skilled “Artificers” who use small, handheld computers to tap into a “Feed” of neutral matter, which they electronically resequence to create things to suit their needs. But their skills don’t protect them when they’re attacked by Frontmen—soulless, interchangeable minions of an all-devouring malevolence called SILOS. Gregor’s life is only saved thanks to the appearance of a woman named Ros, who hails from another dystopian enclave: the musicians’ haven called State of Play. Ros uses technology and her considerable fighting skills to rescue Gregor and take him on her quest to fight SILOS by enlisting the aid of yet another enclave, the Writers’ Bloc. There, the people prize the written word above all else, and a text called the Book may hold the key to victory. Along the way, Gregor and Ros squabble (at one point, he sarcastically calls her “Ros the Unnecessarily Taciturn”), but she gradually fills him in on the perilous state of the world outside the Tech Republic, her own past and training in the State, and the rise of the evil quagmire of SILOS. The author conveys most of this information in prolonged flashback segments, which he handles with a great deal of skill. The technology in Speegle’s world has morphed and sharpened into something akin to magic, and the Tech Republic, in particular, is impeccably imagined. He also makes the various sects’ worldviews believably distinct. Overall, his crafting of his characters is sensitive and, at times, winningly funny.
A hugely entertaining techno-magic adventure novel.Pub Date: April 20, 2014
ISBN: 978-0-692-26050-0
Page Count: 478
Publisher: &yet
Review Posted Online: June 30, 2014
Kirkus Reviews Issue: Aug. 1, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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