THE PERILOUS ADVENTURES OF THE COWBOY KING

A NOVEL OF TEDDY ROOSEVELT AND HIS TIMES

Charyn makes artful use of historical fact and fiction’s panache to capture the man before he became one of the great U.S....

A rendering of Teddy Roosevelt’s early life that spotlights formative moments in colorful, entertaining episodes.

The young boy saw a werewolf near his bed at night when an asthma attack came on. As Teddy narrates, his father would order up “the Roosevelt high phaeton with its pair of long-tailed horses” and let the wind fill Teddy’s lungs in thrilling rides on the “scorched plains of Manhattan’s Upper West Side.” He was the youngest man in the state Assembly, where he says he wore “a pince-nez with a gold tassel, and a peacoat from my Harvard days.” When he lost his mother and wife within hours of each other, he fled west, to Dakota territory, “with silver stirrups, a tailored buckskin suit, and a Bowie knife from Tiffany’s.” But he’s pulled back to New York, where he becomes a police commissioner fiercely disliked for his blue laws and anti-corruption drive. He’s rescued from a melee at the Social Reform Club by his new squad of bicycle cops, whose leader will join him in Cuba. Before Charyn (Jerzy, 2017, etc.) ends with President William McKinley’s assassination, he gives the Rough Riders a big slice of the book not just for TR’s famous hill charge, but for the reluctant leader who could scrounge for his troops and suffer whatever the men suffered—though he also had a tent from Abercrombie & Fitch. The prolific Charyn has written scripts for graphic books. With TR, there’s a sense of the outsize characters of 19th-century dime novels, though without the hagiography. Roosevelt embodied contradictions—a privileged reformist, a cowpoke from Manhattan, an honest politician—and his private life was riddled by strife and loss.

Charyn makes artful use of historical fact and fiction’s panache to capture the man before he became one of the great U.S. presidents and a face on Mount Rushmore.

Pub Date: Jan. 8, 2019

ISBN: 978-1-63149-387-4

Page Count: 320

Publisher: Norton

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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