Raunchy and rough, but it moves.
Payback time for a good girl gone bad.
Juicy Stanfield grew up poor in Harlem. Her skank of a mother was murdered by a drug dealer, and her father’s in the crazy house. Juicy’s brother Jimmy might go the same way if he don’t get his meds. Raised by her strict but loving grandmother, little Juicy stayed good for as long as she could—but Granite McKay had his eye on her innocent ass and wanted her all to himself. “G” McKay owns the G-Spot, a club with a $1,000 cover charge frequented by rich rappers and basketball players. Upstairs: a top-secret room where his terrorized staff cuts and deals drugs. Downstairs: goodhearted hos and bootylicious strippers who slide up and down a slick dancing pole and pick up Coke bottles with—well, not their hands. Juicy, a sometime college student, gets totally turned on watching the constant action. Forty-five-year-old G is buff enuf but he ain’t no lover. Juicy gets all he has to give in ten minutes every two weeks. What did she expect? He cruel and he cold and he ready to maim or kill anyone who crosses him. But G been nice, in his way. He gave Juicy’s granny a decent burial and kept on taking care of Jimmy and turned Juicy into a well-groomed (if frustrated) urban goddess. The plot thickens when Gino, G’s handsome son by a Puerto Rican mother, turns up. He purrs sweet nuthins into her willing ear, and Juicy is ready to play with fire. Her fate: a brutal gang rape by G’s lieutenants and everybody else in the club. But you can’t keep a good girl down: Juicy escapes and goes with Gino in search of G’s cash. She can’t believe where it’s been hidden all this time but one thing is for sure: a lot of it is goin’ to good causes, not to mention higher education!
Raunchy and rough, but it moves.Pub Date: Jan. 25, 2005
ISBN: 0-345-47721-9
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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