A master of high-concept fiction (Fashionably Late, 1994, etc.) returns with a likely bestseller about writing a bestseller— a meaty send-up of publishing told with intelligence, wit, and shameless enthusiasm. Goldsmith claims Rona Jaffe territory with the cross-cut stories of five writers whose novels appear on the fall list of Davis & Dash, a floundering Manhattan publishing house. Susan Baker Edmonds, 63, once a legal secretary in Cincinnati, has been a bestselling romance writer for decades. In an author tour from hell (42 cities in six weeks), she battles to boost her circulation. The Cinderella figure is Camilla Clapfish, 29, a poor-but-virtuous British tour guide who fights loneliness by writing a gentle book about middle-aged women on a bus trip through Italy. In upstate New York, meanwhile, Judith and Daniel Gross collaborate on a commercial venture about a mother who kills her children. Judith will write, Daniel will edit and sell. But Daniel gets greedy and claims sole authorship. The lone male author is Gerald Ochs Davis, Jr. (monogram GOD), the Michael Korda-esque publisher of Davis & Dash who supports three wives and a mistress with his bestsellers. Finally, there's Bloomington, Indiana, librarian Opal O'Neal, in town to sell the 1,114-page manuscript written by her daughter Terry, who, after her 27th rejection letter, hanged herself. Along with a ton of old gossip and dropped names (including ``the pricks at Kirkus''), Goldsmith melds her tale with a user's guide to publishing (``Now was not the time to think about Alf and his disloyalty, her daughter's wasted life. . . . Now only remember that half of all mass market paperbacks sold were romances—almost a billion dollars in annual sales''). Despite some lapses in dramatic tension, a bright and entertaining education in bookmaking where the good get bestsellers and the bad never eat in the Grill Room again. ($175,000 ad/promo; film rights to Paramount; author tour; radio satellite tour)
Pub Date: Aug. 1, 1996
ISBN: 0-06-017822-1
Page Count: 528
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
PERSPECTIVES
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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