A fine-grained and emotionally satisfying medieval adventure.
In this debut historical novel, a young lord is held captive and recalls pivotal moments in his life.
It is a time of peace, and Alfred is the king’s grandson. He’s also the second son of a second son, making him “twice removed from the advantages of inheritance.” And yet, the king adores Alfred for his interest in animals, kind disposition, and potential for greatness. Just over a year ago, he married Lady Gwendolyn from the northern Kingdom of the Lakes. A sharply curious girl, she’s interested in more “than just sewing and dancing,” making theirs a match based on intellectual and emotional compatibility. Her presence in his life makes up for John, Alfred’s loutish older brother, who cares only for drinking and stirring up trouble. Eventually, the king sends Alfred on a mission. He ventures west, toward the unorganized territories, to help his Uncle Harold build a dam. Alfred must also investigate the movements of the disgraced knight Ranulf and his villainous sons. But when the dam builders’ camp is attacked, Alfred is taken prisoner. His captor, a man named Ralf, is determined to earn a ransom by taking the king’s grandson farther and farther west. Even if he escapes, can Alfred traverse hostile country and survive? Taylor crafts a slender but detailed series opener that unfolds mainly through flashbacks. While captive, Alfred remembers the highlights of his teenage years, including sword practice; taming his colt, Star Dancer; and losing his virginity to a barmaid at John’s behest. Valuable lessons come from the king, such as, “Only when survival is assured can a man consider such things as improving his status in life” and “Only when he’s reasonably comfortable can he...consider greater contributions to society.” Perhaps most appealing to modern audiences is the king’s kindness toward Alfred. The monarch tells the young man he can refuse to marry Gwen if he feels no spark for her. Battlefield intrigue and the medical expertise of monks add pleasant intricacies to the narrative. The splendid finale closes the author’s introduction to her medieval world and provides good bones for the sequel.
A fine-grained and emotionally satisfying medieval adventure.Pub Date: July 19, 2018
ISBN: 978-1-68433-063-8
Page Count: 183
Publisher: Black Rose Writing
Review Posted Online: Nov. 19, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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