by Panayotis Cacoyannis ‧ RELEASE DATE: April 5, 2019
An erudite, richly layered, and unsettling psychological tale.
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A grieving mother embarks on a mind-expanding journey in this novel.
Lily, or “Lily the Pink,” as she is known at “naked yoga,” is a 60-something woman who is a member of the “strictly-by-invitation-only” website “come-to-woody.com.” The site allows “perfectly respectable” professionals to meet for anonymous sexual encounters in a “secret little wood somewhere north of Hampstead Heath,” London. She has a strained relationship with Gemma, her 29-year-old daughter, who “doesn’t approve of” her lifestyle. And yet elements of Lily’s hedonism are linked to her first child, Tommy, who died at 8 after slipping out of the hands of his irritated father, Frank, at bathtime and suffering a fatal fall. During one of her ventures to Hampstead Heath, the air-conditioning on Lily’s classic Mercedes fails. In the heat, she begins to experience strange phenomena. She sees her dead son in the eyes of a fly she identifies as the angel Ithuriel. She later encounters two men, one of whom she instantly recognizes as “the devil incarnate.” All the while, Lily consults with her alter ego, Bella, nicknamed the “Unexploded Bomb.” As in his previous novels, Cacoyannis (The Madness of Grief, 2018, etc.) deftly builds complex psychological portraits of his characters. Here, his fiction employs magic realism to both blur and sharpen Lily’s shifting mindscape. As she sits in the suffocating heat of the car, her altering vision is at first understandable: “Trickles of sweat had already found their way into her eyes, but she could see. The slight blurriness—the effect was of an old-fashioned photograph fuzzy from the grain of excessive enlargement.” Aberrations in her vision later become the “colourful brushstrokes” of a migraine aura, but she also inexplicably sees, behind a fly’s “ruby domes,” unmistakable eyes far more piercing than hers, belonging to her dead son. The author delights in leading readers to the unsteady territory between the possible and the impossible. His writing is intentionally disorienting and unnervingly addictive as readers grapple to make sense of two or more separate realities sewn seamlessly together. Cacoyannis is known for his introspective protagonists, but in this exceptional novel he delves even deeper, excavating the darkest corners of the psyche.
An erudite, richly layered, and unsettling psychological tale.Pub Date: April 5, 2019
ISBN: 978-1-79879-080-9
Page Count: 167
Publisher: Self
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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