A rich, vibrant collection that pries wide the door to the East, welcoming Western readers inside.
A collection of personal essays and profiles that reveal the wonders and woes of the East.
New Yorker staff writer Hessler (Country Driving: A Journey Through China from Farm to Factory, 2010, etc.) bridges the divide between East and West with riveting reportage. In the opening essay, “Wild Flavor,” the author chronicles his visit to a restaurant in southern China, where the waitress casually asked, “Do you want a big rat or a small rat?”—a line that embodies the collection’s interest in celebrating and questioning cultural differences. In the title essay, Hessler and an old Peace Corps buddy take a road trip across northern China, and the well-seasoned travelers find themselves duped at every turn—further evidence of the slow learning curve between cultures. Yet perhaps the theme running throughout most of these essays is the author’s examination of the perils of living in a closed society, in which even the assistant manager of the aforementioned rat restaurant refused to give his name for the book (despite the fact that most of the village shares his name). In “Boomtown Girl,” Hessler best elucidates this fear of oversharing with outsiders by introducing readers to Emily, a Chinese teacher-in-training who bucked all traditional gender roles and set out a future of her own making. While much of the book depicts a country consisting of walls, gates and fences—both literally and metaphorically—Emily’s idealism reveals a new breed of Chinese woman, one whose intrepid spirit serves her well.
A rich, vibrant collection that pries wide the door to the East, welcoming Western readers inside.Pub Date: April 16, 2013
ISBN: 978-0-06-220623-7
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: Jan. 28, 2013
Kirkus Reviews Issue: Feb. 15, 2013
A slim volume packed with nourishing nuggets of wisdom.
Life lessons from the celebrated poet.
Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.
A slim volume packed with nourishing nuggets of wisdom.Pub Date: Sept. 30, 2008
ISBN: 978-1-4000-6612-4
Page Count: 192
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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