An appealing little fancy. Display this upfront.
Amusingly damp horror in a fog-bound British bookstore. Don’t touch that shelf!
Despite his many titles and high standing among lovers of babbling madness, Campbell (The Darkest Part of the Woods, 2003, etc.) reveals in his acknowledgments that he found himself short-funded in March 2001 and went to work at a British branch of Borders. He avers that none of the folks in his novel resemble fellow book-shelvers met during those days in the darkest part of the royalty woods. Woody Blake, an American manager for Texts bookstores who has put shops shipshape in New Orleans and Minneapolis, has now been sent to Fenny Meadows Retail Park in northern England to open a giant new Texts store. In the States, such haunts are usually built on an Indian burial ground, but this one is on a fenny meadow—which means things get very misty. And that’s not all. Overnight, books leap from their rightful shelf to that opposite. They resist nightly tidying up after closing hour and lie splayed about come morning. People order books, but orders vanish from computer screens or the book lands among the discards, its inner pages lost and print blurry. Blurry print spreads like a virus. Books get grubby, damp, slimed. Weird damp fog-things (well, squat gray jellies) slurp about the aisles at night. A hit-and-run kills store worker Lorraine in the car park. Another worker, mind-wiped, can no longer make sense of words. And now the bosses are coming for a Christmas-rush inspection of Woody’s work. Horrors: this calls for an overnight with the whole staff pitching in to put the store in order. Power fizzles, something invades and blurs the grey computer screens. And can the inspectors even find the shop in the sodden fog on this sinking soggy tarmac? The mud, the mud! Whole villages long ago sank from sight right here.
An appealing little fancy. Display this upfront.Pub Date: April 1, 2005
ISBN: 0-765-31299-9
Page Count: 400
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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