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THE OVERNIGHT

An appealing little fancy. Display this upfront.

Amusingly damp horror in a fog-bound British bookstore. Don’t touch that shelf!

Despite his many titles and high standing among lovers of babbling madness, Campbell (The Darkest Part of the Woods, 2003, etc.) reveals in his acknowledgments that he found himself short-funded in March 2001 and went to work at a British branch of Borders. He avers that none of the folks in his novel resemble fellow book-shelvers met during those days in the darkest part of the royalty woods. Woody Blake, an American manager for Texts bookstores who has put shops shipshape in New Orleans and Minneapolis, has now been sent to Fenny Meadows Retail Park in northern England to open a giant new Texts store. In the States, such haunts are usually built on an Indian burial ground, but this one is on a fenny meadow—which means things get very misty. And that’s not all. Overnight, books leap from their rightful shelf to that opposite. They resist nightly tidying up after closing hour and lie splayed about come morning. People order books, but orders vanish from computer screens or the book lands among the discards, its inner pages lost and print blurry. Blurry print spreads like a virus. Books get grubby, damp, slimed. Weird damp fog-things (well, squat gray jellies) slurp about the aisles at night. A hit-and-run kills store worker Lorraine in the car park. Another worker, mind-wiped, can no longer make sense of words. And now the bosses are coming for a Christmas-rush inspection of Woody’s work. Horrors: this calls for an overnight with the whole staff pitching in to put the store in order. Power fizzles, something invades and blurs the grey computer screens. And can the inspectors even find the shop in the sodden fog on this sinking soggy tarmac? The mud, the mud! Whole villages long ago sank from sight right here.

An appealing little fancy. Display this upfront.

Pub Date: April 1, 2005

ISBN: 0-765-31299-9

Page Count: 400

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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