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THE KESTREL WATERS

A TALE OF LOVE AND DEVIL

A thriller that’s as Georgian as peach pie, with a darkness that creeps like kudzu.

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A supernatural Southern novel that drawls through a story of bluegrass mythology and race relations.

Thornhorn’s (The Kudzu Man, 2013, etc.) dialect-heavy novel follows the Brothers Brass, psalm singers turned bluegrass pickers, from their youth through their demon-haunted coming-of-age. Their mother, Georgiana, against the wishes of their father, Malakoff, sends them to Shelfy Oak Bible College, where Kestrel is saved from drowning by Bettilia Whissler. From their first meeting, Bettilia hides behind a veil of mystery, specifically concealing the circumstances of a family member’s death. When Kestrel injures himself falling from a tree, Bettilia comes back with him to Angelsprey, the Brass family homestead. It’s here that the first hints of the supernatural enter the narrative: Bettilia reveals that she killed her father, but then intimates that he continues to look for her, despite the railway spike she dropped on his head. That’s why, after she performs at the fair with the Brothers Brass, she decides to lay low. She senses evil afoot, and Malakoff seems to reckon it too. It isn’t until Kestrel and Bettilia’s wedding day that the true danger appears—a devil in hobnailed boots that will change Kestrel’s and Bettilia’s life forever. The novel burns slow, and throughout its first half, conflict appears mainly in the form of family struggles, or from dark figures lurking at the periphery. Despite the Brothers’ fairly liberal stance on race relations for Southerners in the early 1960s, the novel does tread a controversial path: Many of its black characters have an exotic, otherworldly presence, and only these characters (and white Bettilia) seem to have access to the supernatural realm. The author undoubtedly means to do justice to local mythologies and to the attitudes of the segregated South; perhaps this is echoed in the Brothers’ own “slang-powered rebellion, an openly sly subversion of their mother’s polite society.” Throughout, Thornhorn’s mellifluous, lyrical sentences will keep the reader occupied: “At the end of that long and meandering mud rut was an ungated gap in a kudzu-choked fence, and beyond that was an open field where sunlight was very unkind to the house that lay there sinking into the ground.”

A thriller that’s as Georgian as peach pie, with a darkness that creeps like kudzu.

Pub Date: March 20, 2014

ISBN: 978-0615967462

Page Count: 570

Publisher: Rosasharn Press

Review Posted Online: April 25, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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