An unnerving literary experience, like finding a fiddleback spider on one’s shoe or a copperhead snake coiled and ready to...
Two runaway teenagers go on a crime spree and get lost in a backwoods region of the southern Appalachian Mountains in Thornhorn’s (I Be the Christis, the Kid Beheaded, 2014, etc.) novel.
Thirteen-year-old Tizzy Polk’s father is a tyrannical preacher who’s repeatedly warned her about boys like Matthew “Rebel Yell” Birdnell. The son of a pig farmer, Birdnell sees no future for himself in the mountains and wants out of Cayuga Ridge in the worst way—and when he steals his father’s ’49 Studebaker pickup, Tizzy, searching for some kind of freedom, joins him with a little persuasion. With a stolen gun, the two runaways commit a series of crimes, culminating in a murder, and attempt to evade the law by driving up some backwoods roads that lead to Riddle Top, a “great black crag with bristle hairs” that “gave up sunlight like a jagged miser then quickly stole it back.” When they meet its creepy inhabitants, they quickly realize that the scary stories about the dark mountain are true. A blend of Southern gothic and hillbilly noir, this story is utterly readable, in large part because of Thornhorn’s masterful use of dialect, rich description, and immersive use of atmospherics. The power of this story undeniably comes from the author’s darkly lyrical voice, and his sinister reimagining of Appalachia virtually comes alive on the page: “One tiny shack gave way to the next, each shack with its small barren field, desolate dead cornrows littered by blackbirds and autumn leaf.” Even minor plot inconsistencies and a relatively weak ending can’t detract from the overall power of this story. Like the lovechild of William Faulkner and H.P. Lovecraft, Thornhorn, with his unique narrative style and twisted insight into Southern life, makes this novel unforgettable.
An unnerving literary experience, like finding a fiddleback spider on one’s shoe or a copperhead snake coiled and ready to strike under one’s bed.Pub Date: July 18, 2014
ISBN: 978-0-9916496-7-9
Page Count: 316
Publisher: Rosasharn Press
Review Posted Online: July 20, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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