A haunting captor/prisoner love story set during the Japanese occupation of China, by the author of the story collection The Light of Home (1992). The year is 1938. Captain Kuroda is a reluctant and unskilled Japanese officer, a botanist by training, tormented by memories of the Nanking massacre: the squeals of children being killed, the smell of burning flesh, the dismembered bodies, the sight of a pregnant woman bayoneted in the abdomen, the ``constant rape.'' His army has moved on, leaving him the commander of a small garrison in the rolling hills of east-central China. When he comes upon his soldiers raping a filthy and starving woman, he intervenes for reasons he doesn't fully understand, and takes her under his protection. The daughter of a doctor, Li speaks Japanese; glad of the warmth of his quarters, she cooks for him but avoids his questions. Slowly, though, communication begins: He shows her a bamboo grove and talks about plants; she suggests that she should be his mistress. Isolated from his peers, Kuroda is renewed by this woman who seems to enjoy making love to him; she responds to how much he needs her and senses in him a trustworthiness in a world bereft of trust. As the lovers each realize the impossibility of a future, their attachment intensifies. Stabbed and dying, Kuroda tells of the horrors he's witnessed; Li holds him in her arms: ``I said he could forget it now, that I would remember.'' Using spare, unadorned prose, Binstock manages evocatively to juxtapose the occupying army's totalitarian cosmos, predicated on murder, rape, and the absolute lack of safety, with the tender realm temporarily created by these two damaged but deep-feeling lovers. A first novel unrelenting in its rendition of wartime cruelty, but tempered with a bracing reminder that deep human feelings can and will sprout from scorched earth.
Pub Date: Aug. 15, 1995
ISBN: 1-56947-038-3
Page Count: 224
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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