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MAMA'S BOY

Name: MAMA'S BOY
Author: Richard T. Pienciak
ISBN: 0-525-93851-6

THE TRUE STORY OF A SERIAL KILLER AND HIS MOTHER

by Richard T. Pienciak ‧ RELEASE DATE: June 10, 1996

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The freakish tale of wife-killer Eric Napoletano and the mother who protected him from the police. Napoletano was reared in New York City by his racist mother, Carolyn, and a smarmy hustler he referred to as ``Uncle Al.'' Al and Carolyn disliked each other but doted on Eric, a surly youth with a taste for Hispanic and black women, those his mother hated most. Napoletano's victims—a girlfriend, a mother-in-law, and his second wife—were murdered with great savagery, and it's clear from phone records and witnesses cited by Pienciak (Murder at 75 Birch, 1992, etc.) that Al and Carolyn knew about the killings. Napoletano, a onetime trucker, dumped the mutilated bodies of his girlfriend and wife along rural roads near New York. He simply shot his mother-in-law in the street. His mother worked for the NYPD and managed to destroy records and files pertaining to her son's crimes. The story is bizarre, and the players uniquely evil, but the narrative is curiously dry and frequently dull. The details of the crimes are vague since Pienciak gives only the most cursory explanations of how they were carried out. It's clear that Eric's sadism had something to do with events in his childhood, but no theories about its origins are offered, and the details given here of Eric's trial for the murder of his wife are hopelessly muddled. The book works best in the brief sections where we are given Carolyn's own corrosive words, which do tell us concretely about these hideous lives. Pienciak's sarcastic tone, from the book's title to his mockery of Carolyn's appearance, repeatedly disrupts the narrative, which never adequately explains what happened, or why. (8 pages b&w photos, not seen)

Pub Date: June 10, 1996

ISBN: 0-525-93851-6

Page Count: 352

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 1996

Categories:

TRUE CRIME

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LUCKY

by Alice Sebold ‧ RELEASE DATE: Aug. 1, 1999

Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will...

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A stunningly crafted and unsparing account of the author’s rape as a college freshman and what it took to win her case in court.

In 1981, Sebold was brutally raped on her college campus, at Syracuse University. Sebold, a New York Times Magazinecontributor, now in her 30s, reconstructs the rape and the year following in which her assailant was brought to trial and found guilty. When, months after the rape, she confided in her fiction professor, Tobias Wolff, he advised: “Try, if you can, to remember everything.” Sebold heeded his words, and the result is a memoir that reads like detective fiction, replete with police jargon, economical characterization, and film-like scene construction. Part of Sebold’s ironic luck, besides the fact that she wasn’t killed, was that she was a virgin prior to the rape, she was wearing bulky clothing, and her rapist beat her, leaving unmistakable evidence of violence. Sebold casts a cool eye on these facts: “The cosmetics of rape are central to proving any case.” Sebold critiques the sexism and misconceptions surrounding rape with neither rhetoric nor apology; she lets her experience speak for itself. Her family, her friends, her campus community are all shaken by the brutality she survived, yet Sebold finds herself feeling more affinity with police officers she meets, as it was “in [their] world where this hideous thing had happened to me. A world of violent crime.” Just when Sebold believes she might surface from this world, a close friend is raped and the haunting continues. The last section, “Aftermath,” has an unavoidable tacked-on-at-the-end feel, as Sebold crams over a decade’s worth of coping and healing into a short chapter.

Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will inspire and challenge.

Pub Date: Aug. 1, 1999

ISBN: 0-684-85782-0

Page Count: 240

Publisher: Scribner

Review Posted Online: Jan. 2, 2011

Kirkus Reviews Issue: June 1, 1999

Categories:

GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | TRUE CRIME

- BOOK REVIEW
THE BEST AMERICAN SHORT STORIES 2009
edited by Alice Sebold with Heidi Pitlor

- BOOK REVIEW
THE ALMOST MOON
by Alice Sebold

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THE LOVELY BONES
by Alice Sebold

- IN THE NEWS
Man Convicted of Raping Alice Sebold Is Cleared

- BOOK TO SCREEN
Film Adaptation of Sebold’s ‘Lucky’ Is Dropped

- SEEN & HEARD
Author Apologizes To Man Wrongly Convicted of Rape

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THE EVIDENCE OF THINGS NOT SEEN

by James Baldwin ‧ RELEASE DATE: Oct. 28, 1985

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The Atlanta child murders comprise the starting point for this virtuoso polemic against racism in America. Baldwin writes bluntly: "Others may see American progress in economic, racial and social affairs—I do not." It is this distinctive Baldwinian voice of outrage that powers his penetrating examination of why color still divides America. Baldwin thinks that Wayne Williams, the black man accused of the murders of 28 black children over a 22-month period, was railroaded. No matter that his conviction was presided over by a black judge in a Southern city governed by a black mayor. Williams was prosecuted under intense pressure to close a case that might tarnish Atlanta's reputation as a "city too busy to hate." A black administration's presence, says Baldwin, did not change the fact that the legal system served the commercial interests of a booming Southern city. To consider this only as an issue of class, contends Baldwin, is a denial by blacks and whites alike of America's legacy of slavery. He writes that ". . .this country, in toto, from Atlanta to Boston, to Texas to California, is not so much a vicious racial caldron—many, if not most countries are that—as a paranoid color wheel." By sketching the emergence of the black middle class and its complicity in maintaining the "white" rules, and the white flight from the city to the suburbs—leaving a mostly black, impoverished city. Baldwin describes how the wheel goes round. And its consequence remains: How do you become "white" enough to get up and out of the ghetto? Ironically, it was the rage of the parents of the murdered children that set Atlanta's color wheel spinning. Once they provoked national attention, according to Baldwin, the pressure to solve the crimes began. Until then, no one was ". . .compelled to hear the needs of a captive population."Baldwin delivers his judgment in cranky, idiosyncratic exposition that links the state of race relations with the prosecution of Williams. He details the official maneuvering that brought Williams to trial and the extraordinary legal decision to charge him with the murders of two black men, but permit the accusations and evidence of all the children's murders to be discussed at his trial. Baldwin has penetrated a sensational crime with his considerable novelist's skill for seeing things the rest of us don't. In the process, he's delivered a stinging indictment of racial stagnation.